RARITIES

Artist: Patrick O'Hearn
P: 1992
White Sands - Original Motion Picture Soundtrack //Score Composed by Patrick O'Hearn//Plus one track by Dwight Yoakam and Little Feat
A dead body, a rodeo, a schmoozy exclusive fundraiser and a nosy cop who gets into the middle of it all make for a nailbiting rollercoaster ride of a movie. Willem Dafoe, Samuel L. Jackson, & Mickey Rourke are at their best in this great story. A fantastic supporting cast is also featured. The eerie, haunting music of Patrick O'Hearn (from his "Indigo" album and more) provide the perfect soundtrack for this humdinger of a mystery. You never know who will do what, so hang on and enjoy the ride.

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Artists: Paul Haslinger
P: 1994
This is the first solo release by Paul Haslinger after 4 years, when he left Tangerine Dream in 1990. Totally differernt music than expected. Very rhythmic, melodic ethno stuff. Sounds a little bit like Enigma meets Mark Shreeve.


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Artist: Paul Lawler
P: 1999
Music for the big blockbusting movies.

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Artist: Paul Lawler
P: 1997
Paul Lawler makes electronic music for imaginary movies of the mind. His compositions are among the most diverse and dramatic.

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Artist: Paul Ward
P: 1991
Paul Ward's name is familiar to many people for many reasons. Originally one half of the 80's Newage synth duo Quiet Point he went on to record music under his own name and work closely with artists such as Wavestar, John Dyson, Kik and John Parr to name but a few. So no wonder, that this CD sounds like John Dyson.

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Artist: Paul Ward
P: 1994
Paul's follow up to the hugely successful 'For a Knave' CD is certainly packaged very individually, with the opening lines of a curiously clever children's fantasy (which Paul wrote himself) dominating the cover. I think it works extremely well, indeed the cover and CD look refreshingly professional. Now for the music.'Waiting for a Miracle' is a superbly measured track. A magnificent opening melody gives way to an uptempo section punctuated with, what sounds like, heavily treated speech - although I believe it's nothing of the sort!. Enter searing MiniMoog and, yet again, some brilliant Sean Michael D'Lear guitar, and... well I could listen to this track all day. However, there are nine other tracks to sample. It will come as no surprise to those of you who have read my review of the 'Beyond the Quiet Point' cassette that I like 'Taken to a Place'. In fact I like it a lot. Wisely, Paul doesn't change a winning formula too much, simply redefining a track of classic beauty. 'Bloody Dangerous' features expertly positioned samples and a lead synth voice so raw that it sounds like it's just had is arse wiped before being served up on a plate. Perhaps at times the track harks back a little too much to 'For a Knave'. However, this may be intentional, for the rest of the track is so different that it showcases perfectly some very diverse talents.
'Time, the Magician' is another bright, uptempo outing which keeps the album in a holding pattern rather than really letting it loose. Enjoyable all the same with MiniMoog a-plenty and the radio broadcast ending, which segues into 'Death by Wireless', is pure brilliance.
'DBW' has already been showcased live, along with track 1, at the EMMA#1 festival and with its catchy melody and poised middle 8 it is sure to become a favourite.
As soon as the opening of '64K World' hits home you know this is going to be something special. Superb melody, strong rhythm, and some mind blowing noises combine to produce EM straight from the top drawer. 'Iceman' is a superbly constructed diversion to the album, the lack of drums emphasising an arpeggiating sequence contrasted with sweeping synth.
An extended opening riff introduces 'Overnight Snow' creating, I'm sure, very deliberate anticipation which is rewarded in the shape of a truly majestic track which again features some wonderful synth soloing. 'Closer Than You Think' has been brushed down, tweaked in one or two places, given a very different D'Lear guitar solo, and presented here sounding as fresh as ever. It's a thrilling track featuring some brilliant sequencer work.
'Silly Kind of Secret' ends the album perfectly, a very appealing and meticulously performed piece of quality EM to which Paul, very understandably, couldn't resist adding a few closing vocals. This album very much carries on where '...Knave' left off, showing an increasing maturity and mastery of the art of producing Electronic Music. Helped in no small part by superb sound quality, Paul has produced another truly dynamic album which simply demands to be listened to. Miss this one at your peril.

GG
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Artist: Peru
P:1983
Their release with the famous track Africa, which made Peru popular all over the world.

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Artist: Peru
P:1981
The first release by Peru is full of analogue sounds and some melodic tracks, but most of the time very good berlin school style.

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Artist: Peru
P:1991
This was the last CD from Peru, but still one of their best, if you look at the sounds and the complete production. The music had the usual fat Jupiter 8 sounds and introduced the Waldorf Microwave. The catchy melodies do the rest. Composed, arranged, performed and produced by Peru.
Peru is:
Jos van den Dungen
Ruud van Es
Peter Kommer
Rob Papen.
Hunting live was recorded live at the Klemdag 1990 in Breda, Holland.

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