Lustmord

Artists: Lustmord
P: 1997
Derived from a joint performance by Lustmord and Metal Beast broadcast live on KUCI 89.9, Orange County, California, June 20 1997.
The broadcast was put together at short notice with very little preparation, and as a result is mostly improvised, and intentionally chaotic in part, being something of an experiment.
Manipulated further and reconstructed for this release.

Artists: Paul Haslinger
P: 2007
This is the soundtrackscore to the movie Vacancy. In addition, this CD contains a remix of a track made by Lightwave Christoph Harbonnier,a remix made by Lustmord and a remix by Michael Fakesch.

Artist: Robert Rich & B. Lustmord
P: 1994    
Robert Rich joins underground sound design legend B. Lustmord (aka Brian Williams) for an extended journey inspired by the title and the hypnotic minimalism of Andrei Tarkovisky's mesmerizing future/fiction film Stalker. "Stalker" leads into lands of isolation and deep meditation in a delirium of three dimensional sensations and of magnificent, realistic sounds. It causes alterations in one’s consciousness until one loses all reference to time and space. If we now know that for Lustmord there is no other artistic reality, for Rich this is a long awaited return to his origins, to his experiments with the lucid dreaming, to the unforgettable atmospheres in "Sunyata" – his magical first album – and to the dimension-less trance of "Trances" and "Drones".
Extensions beyond the realm of sight, frequencies from other worlds, wistful voices that are lost in the infinite before they can express their desperation – all these make "Stalker" a black hole where everything is about to end, a fearsome corner of the Universe, a weapon of the Apocalypse.
This is a psycho acoustic exploration of immense importance that renders all the other works of the sort obsolete and sets new standards of quality in the field of electronic music. A masterpiece.

Artist: Paul Haslinger, Lustmord,
Thomas Köner u.a.
P: 1996
Treatments of raw wire footage from Alan Lamb's "Night Passage" session tapes (Dorobo 013). Demixed and edited with respect.
WARNING : Low frequencies in track 4 may damage some speakers. Headphones recommended.
As the liner notes state, these were demixed and edited with respect. While bearing the trademark styles of each artist, the "treatment" requires attentive listening to find the wire footage buried in each mix.
If you aren't familiar with Lamb's work, this is a good place to start as the more drone/minimalism of the artists' work makes the journey more familiar than the often jostling experience of listening to the recordings on Lamb's "Primal Image" or "Night Passage" releases.
Lamb's releases are essential, however, especially to provide context. There is a strange sense of beauty and wonder in them as attested to the fact that the artists here chose to rework them.
One remix is even made by Paul Haslinger.