RARITIES

Artist: Klaus Schulze
P: 1996/ 2007
Produced & mixed by Klaus Schulze.
Composed, played & arranged by Richard Wahnfried & Jörg Schaaf.

KDM describes it: “Marooned” (13:12) is a track which I received from Klaus a few years after "Trance Appeal". It was part of twelve CD-Rs full of studio recordings by Klaus (and guests), planned for another set release that later became the five (or six) CD set “Contemporary Works 2".
The present bonus track is a little part from the fifty percent of then unreleased music. On both sessions (the orginal TRANCE APPEAL as well as on the bonus) Klaus is joined by Joerg Schaaf, and both sessions were indeed designated for Klaus’ “Wahnfried” project and albums.

Artist: Klaus Schulze
P: 1996
Produced & mixed by Klaus Schulze.
Composed, played & arranged by Richard Wahnfried & Jörg Schaaf.
Music that should fit together with the next album Are you Sequenced?

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Artist: Klaus Wiese
P: 1987 / 2006
Klaus Wiese / keyboards, voice, composer
+ Ted de Jong / tabla

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Artist: Klaus Wiese
P: 1999
"THE ARTIST: Klaus Wiese, basically working and experimenting with the effects of RESONANCE and OVERTONES on the PSYCHE, mainly through HUMAN VOICE and some special instruments."

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Artist: Broekhuis, Rothe & Schönwälder
P: 2023
All tracks composed, arranged and played by Bas Broekhuis, Frank Rothe and Mario Schönwälder
Recorded live in Berlin at Superbooth22 (tracks 1 and 4), Superbooth23 (track 6) and during a recording
session at Bas‘ place in Westerwolde/Netherlands in May 2023
Further recordings were made in June and July 2023 in our studios in Berlin/Germany,
Schönefeld/Germany and Westerwolde/Netherlands

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Artist: Lambert
P: 1995
This CD from 1995 features 73 minutes of spry electronic music, Lambert is joined by Andreas Paeth on guitar on one track. Strict keyboard strokes generate lively melodies here, embellished by broader textures that held cement the pieces into congenial wholes. Jubilant riffs unfold with heavenly tonalities providing airy contrasts. At other times, the melodies exhibit grimmer undertones. Meticulous E-perc enhances this solemn disposition with languid rhythms. Inevitably, however, Lambert's optimism overwhelms these grave sentiments, coloring the harmonics with lighter tones and smirking electronic effects that loosen all tension with psychic tickling. While other tracks utilize these dense, deep-toned beats to more frolicsome purpose, accomplishing rhythms that lift the spirits with their energetic patter. At this point, Paeth's guitar injects a fiery blaze of passion that send the tune soaring to stratospheric altitudes. And when the guitar pauses, Lambert's keyboards perpetuate that lofty sense with vivacious chords that defy the pull of gravity. This enforced levitation is a dominant aspect in much of the music on this CD. The tendency for upward movement can be considered a signature trait of Lambert's, found in the majority of his compositions. Dreams are usually quite subjective perceptions, but Lambert has found a way to translate his somnambulant experiences into music that is conducive to objective interpretations.

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Artist: Lambert
P:  2000
This CD is a best of Lambert with 2 additional new tracks exclusiv only available on this CD.

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Artist: Lambert
P: 1991
This CD from 1991 features 67 minutes of appealing electronic music.
Sultry textures are embellished by genial chords that exude a celebratory quality, drawing pensive ruminations from psychic depths and coloring them with fanciful tempos and lavish keyboard definition. E-perc injects a tasty pep to these upbeat harmonics, generating a frolicsome mood that violates introspection with subliminal commands to welcome each new dawn with optimistic expectation. Nimble chords cavort for the listener, punctuated by darker growlings that are devoid of any threat or dire portend.
Lambert's compositional skill shows sincere influences from the Berlin School of electronics, but his application of these roots carries his music into more modern realms, where velocity and rhythm play as vital a role as do surfs of atmospheric tones. His tendency to pack an excessive amount into each sparkling moment would be overwhelming if not for his discerning acumen for harnessing the morass into compelling tuneage. The melodies are engaging and entertaining.
For this release, no MIDI sequencing or computers were employed to create the music.

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Artist: Michael Stearns & Larkin
P: 1985
Flute music with hupback whale sounds with low synthesizer tunes played by Michael Stearns.

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