Redshift

Founded in 1996 by Mark Shreeve, the band's lineup currently consists of Mark Shreeve, Julian Shreeve and Ian Boddy. Rob Jenkins and James Goddard were band members for most of the group's existence. Rob left prior to their seventh album Redshift VII - Oblivion, and James left prior to their performance at Hampshire Jam 5. The band's style ranges from Berlin School to dark ambient. Their sound is largely dependent upon older synthesiser technology, notably instruments such as the Moog 3C, which they combine with more recent digital technology.
Redshift
Redshift - Colder

Artist: Redshift
P: 2011

This is the liverecording of the concert of Redshift at the latest Hapshire Jam Festival. All new titles. Musicians are Mark Shreeve, Julian Shreeve and Ian Boddy.

16,80 EUR
 
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Redshift - Faultline

Artist: Redshift
P: 2004

Equally at home live or in the studio, this is yet another powerful live set from these gents, Hampshire Jam 2 from November 2002.
The title track is a grabber, starting with loads of sonic textures that set a dark mood. Redshift is great nighttime music, for driving down a dark highway or kicking back at home, and this track would certainly fit for either. The sequence is straight ahead, no-nonsense. Guitars from Rob Jenkins add sizzle.

Recorded live at the Hampshire Jam 2 festival, Liphook, England, 9 November 2002
All tracks composed and performed by Redshift
Live recordings mastered by Mark Shreeve

Redshift are:
James Goddard - electrixc piano, sampler, mono and polysynths
Rob Jenkins - electric guitar, modular synthesizer and sequencers
Julian Shreeve - sampler, mono and polysynths, modular synthesizer and sequencers
Mark Shreeve - modular synthesizer and sequencers, monosynth, tape delay

18,90 EUR
 
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Redshift - Life to Come

Artist: Redshift
P: 2015

New Berlin School analouge sequences from the masters.

16,80 EUR
 
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Redshift - Redshift

Artist: Redshift
P: 1996 / 2006
Remastert re-release of the first long sold out Redshift CD!

This CD is a deep homage to the wonderful mid seventies EM vibe that so many of "us" fans love so much and which was all too quickly abandoned as the technology changed so rapidly. The "re-mastering" doesn't seem too drastic, although I suspect the volume levels are much higher than the original release.There's much influence from favourite "Berlin School" artists, it most of the times sound like Rubycon, Ricochet or Mirage. This CD now seems a logical extension of these and others.. There's real meat on them Moog bones - a power in the sequencing, which Mark Shreeve has mastered to perfection here and develops further in later albums. The two shorter tracks are rather different, one of them leading to investigate (Ed Buller's) Node releases..

17,90 EUR
 
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Redshift - Wild 2

Artist: Redshift
P: 2006

Wild 2' combines rehearsals and Studio sessions between 1996 and 2002. Some of these went to form the basis of other tracks later but if this was the case the versions here are substantially different.
First up is 'Fuel', a rehearsal for their stratospheric Hampshire Jam 2 appearance. It offers a very different perspective on the tracks which ended up as 'Aquamarine' and 'Quenzer'. The opening restrained melodics, are the highlight of this whole album. The opening few minutes of synth chords/motifs and electric piano you can listen to all day. Fantastic! Then the sequencing emerges. It's Moog. It's Redshift. It's syncopation central. It's Heaven!

17,90 EUR
 
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V/A - Tone Science Module No.3 Cosines and Tangents

Artist: Redshift, Robert Rich d'Voxx u.a.
P: 2019
DIN TS03
LTD 555Copies

Following the success and critical acclaim of the first two Tone Science compilation albums, DiN label boss Ian Boddy has collated another nine tracks from musicians of varying backgrounds working in the realms of modular synthesis. Three of these names will be familiar to DiN listeners whereas the other six are new to the label. Thus the album opens with a shimmering soundscape from American ambient pioneer Robert Rich who has previously collaborated with Boddy on three DiN releases. Well known for his infamous “sleep concerts” Rich here focuses in on the sonic details that modular synthesisers can offer the composer. The following two tracks by Caspar Hesselager and Little Ambient Machine show beautifully how a simple melodic sequenced phrase can be shifted, fractured and refocused in the analogue domain. The mid album section then features two very different tracks with a more experimental feel. Radek Rudnicki cleverly mixes samples of traditional Japanese music controlled in the modular world with great swathes of analogue synth whereas Eden Grey uses her modular in a very retro, radiophonic manner to conjure up the raw sounds of yesteryear. The music returns to sequenced tracks with synth maestro Benge lightening the mood with the Kraftwerk like motifs of “Round #2”. The next track, “Angel”, is by d’Voxx who recently had their debut album, “Télégraphe” (DiN58) released on the DiN label to great acclaim. Once again they show off their skilful use of sequences with melodic progressions to create a captivating track. The album has it’s sonic climax with “Berserker” by Redshift which after a dark sonic intro section goes into overdrive with a huge Moog modular system going full tilt. Redshift is none other than Mark Shreeve who has been a long time collaborator with Boddy in the ARC project which has spawned several releases on the DiN label. Finally after such a huge sounding piece the album calmly dissipates through the beautifully simplistic yet haunting “Hands” by Jogging House to bring to a close another varied and intriguing Tone Science album.

“Tone Science Module No.3 Cosines and Tangents” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.

14,90 EUR
 
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Various Artists - Bridges

Artist: Redshift, Wöllo, Matheny...
P: 2003
The Echoes Living Room Concerts Vol. 9
We call this edition of the Echoes Living Room Concert series "Bridges" because it represents a music that crosses between countries and time, ancient music and modern technology, cultures from Asia and Africa to Native America. There are voices singing in ancient Aramaic and musicians mixing eastern and western modalities. The disc is bookended by the extremes of the Echoes soundscape, beginning with a solo acoustic guitar performance by the legendary Pat Metheny and ending with a classic synthesizer excursion from Redshift. In between is a web of world fusions and electro-acoustic formulations that are distinctly a product of a modern, trans-global landscape.

15,40 EUR
 
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