Vanderson

Artist: Klaus Schulze, Robert Schroeder, Axess, Loreau, Lambert
P: 2016
No, we are not Jean-Michel Jarre, Kraftwerk or Vangelis. But Spheric Music celebrates
its 25th birthday by presenting again a precious, high-quality electronic sampler
with unreleased jewels of Spheric Music artists as well as 2 rare bonus tracks by
Joel Fajerman and Klaus Schulze! 
The opener by Joel Fajerman, known for his french film music, is a rare track of
his archive, which is the debut for Joel Fajerman on Spheric Music (a further
release is scheduled). Also a rare gem came by Klaus Schulze. It is a honour
to have him on board with „The Breeze“ a title long time go released on the “Contemporary Works 1” Box (out of stock for a long time). The CD ends with the earworm “Silver” by label owner Lambert. The album is characterized by melodic electronics, rhythmic-pulsating tracks, harmonic sounds, melancholy atmospheres and traditional Berlin School titles The featured artists are known for:
Joel Fajerman (L'aventure des plantes / the secret life of the plants), Robert Schroeder (Cygnus-A), Klangwelt (Weltweit), Axess (Pyramid Peak), Vanderson (Vandisphere), Rudolf Heimann (Touch The Sky), Mesmerised (Palantir – Empire Of Illusions), Bertrand Loreau (Le Pays Blanc, From Past To Past), Klaus Schulze (Mirage, Moondawn etc), Lambert (Light Sky, Drachenreise).

Artist: Vanderson + Przemysław Rudź
P: 2013
What a combination! The first time, these two great electronic musicians join their forces.
If you like berlin school sequences and melodies, this is the right choice.

Artist: Vanderson
P: 2013
Berlin School sequences in the Schulze mid 70s style mixed with beautiful Moog soli.
One of the best releases this year so far!

Artist: Vanderson
P: 2010
Here we find shorter tracks with fine Tangerine Dream Music in the 80s style.

Artist: Vanderson
P: 2017
Beyond Time Structure, the new album from the Polish artist Vanderson consists seven energetic songs between 6 and 13 minutes. Every song has all the time it needs to evolve to a very special and harmonic piece of Electronic Music. Gorgeous melodies, deep sound and an extremely well balance between melodic and hypnotic elements, make this album so wonderful. Vanderson is well known for harmonic tunes and his own style playing with simple but intelligent sequences. On Beyond Time Structure he adds an additional portion of rhythmic elements so this album became different from his so far known work. Some influences by modern electronic dance music are intended. Also the sound design is more modern without losing the spirit of his past releases. Listen to it and You get lost in time.
 

Artist: Vanderson
P: 2009
Maciej Wierzchowski aka Vanderson is an analoque/digital synths artist from Poland. Earth Moving consits of two long concert parts from 2008 with a fine blend of TD-like sequencer music of the 80s.

Artist: Vanderson
P: 2007
Here Vanderson catchs up the TD spirit of Force Majeure mainly. But beside his many sequences, he also has his own sequence style. Friends of TD around late 70s will love this CD.

Artist: Vanderson
P: 2007/ 2008
Maciej Wierzchowski aka Vanderson is an analoque/digital synths artist from Poland who arrested my attention with his contribution to the Contemporary Electronic Soundscapes compilation Ticket To Mars Vol. 2. On this 3 track EP, he produces wide synthesizerenvironments that remind to Rainbow Serpent. Nice sequences as basic tracks and good synthmelodies on top.
 

Artist: Vanderson
P: 2010
Maciej Wierzchowski aka Vanderson is an analoque/digital synths artist from Poland. From The Bottom Of Space is the musically successor of Earth Moving with shorter studio tracks. Again a fine blend of TD-like sequencer music of the 80s.

Artist: Vanderson
P: 2008
Versatile fast tracks with some sequences, a lot of rhythms and melodies. Vanderson really has music in his mind.

Artist: Vanderson
P: 2012
Many electronic music fans have already expressed my feelings: sequential electronics is a well-explored field on which little remains to be yet discovered - and still, from time to time one happens to find a true pearl on this field. This CD by Vanderson is certainly one of such gems - we will find truly magic moments here. It's all about that: sequential electronics is first of all a mixture of moods, colours and landscapes. Vanderson managed to mix all the most important ingredients in his own special way, thus creating an enthralling album that can really be enjoyed.
The new Vanderson album opens with a quite good hit: good old Berlin-style sequences come from out of the farthest galaxies, they sound fairly "tangerine" (as if taken from the pretty old single Ultima Thule!) and are full of melotrone-flute sounds, giving a special charm to it - one could ask oneself if it's not an unreleased Sorcerer-session by Tangerine Dream themselves?... Sure one have already heard such textures, but now it's really not important who discovered these sounds - the main thing is, that this moody introduction is just great.
The second track is a very nice synthesis of traditional electronica and ambient swamps - one could indeed dive and even drown in this music. Here we get a splendid, 12-minute long analogue bath topped with sequential foam - great relax for every true music lover. The third impression may easily be associated with "lurking' soundscapes created by the Ramp-project: it's still sequential electronics in good old style, however, it sounds modern and perfectly mysterious. Sadly, this piece is only 7 minutes long. Piece no. 4 has a box structure, since there is a complicated structure to it hidden behind symmetrical sequential doors. As soon as the rhythm line gets even more nervous and dizzy, we can realize that this composition is Vanderson's "power supply" to the fantastic Virtual Vices-series by Pete Namlook and Wolfram Spyra.
The fifth piece invites the Listener into the great wide open of misty beatless galaxies that no-one has yet dreamed of. This polar ambient-block is perhaps the best piece in the whole set: now we can travel to the most distant wilderness hidings we have ever thought of...
The final track is the longest one. Icy arpeggiator movements get a good bounce from the groovy bass line of the leading sequence, and as the track paces along some chord-sighs and improvised solos get on board. We are now taking an uneasy path towards ambiental echoes in the mood of Tangerine Dream's ingenious Phaedra.
Many electronic music fans have already expressed my feelings: sequential electronics is a well-explored field on which little remains to be yet discovered - and still, from time to time one happens to find a true pearl on this field. This CD by Vanderson is certainly one of such gems - we will find truly magic moments here. It's all about that: sequential electronics is first of all a mixture of moods, colours and landscapes. Vanderson managed to mix all the most important ingredients in his own special way, thus creating an enthralling album that can really be enjoyed.
 

Artist: Vanderson
P: 2016
After releasing his music by auto-productions, at Mellowjet, Syngate and Generator, vanderson now presents his mort recent work on the electronic label Spheric Music for the first time (Spheric Music is well known for his releases by e.g. Robert Schroeder and Lambert).
In the past Vanderson has been acknowledged for his Berlin School-type of music in the vein of Tangerine Dream.
The new album however puts more weight on the creation of dreamlike atmospheres.
You can also hear Tangerine Dream-like sequences, but the relaxing musical journey is coloured by yearning sounds and melodies, that like spots are embedded in a spheric soundscape.
The rhythmic supported sequences and tender effects enrich the soft and deep sound, which altogether are a wonderful environment for a gliding flight through soft dreamworlds.
Close your eyes and let yourself carry away.
An album for dreaming, drifting away and well feeling.
Comparable to: Axess, Klangwelt, Pyramid Peak, Robert Schroeder...

Artist: Vanderson
P: 2011
A few thoughtful electronic thuds, some distant sweeps of cosmic wind... Slowly the curtain falls and we may cross the border between this everyday world and that visionary one created by Vanderson. The author serves us an enthralling, hypnotic synthesis of traditional Berlin School sounds, Jarre-ing ambience and a bit of contemporary touch at its best. As if it still was not enough, we will hear amazing mellotron "chorals", so that the pumping sequences may turn into motionless mouldy stones, while the final track is the same deep black electronic water as Klaus Schulze's Blanche. When the music is over, the best thing for the Listener to do is to push the play button once again - and drift along, towards some other tale, some other dream, some other vision. Vanderson's music is visual-rich and visionary indeed.