Moebius, Dieter

Artist: Cosmic Couriers (Dieter Moebius, Mani Neumeier, Jürgen Engler)
P: 1998
All tracks played live in one go in the Studio. The intense of the recording was to produce a music with deep atmosphere. It is a style of modern Krautrock with strange sounds, but rhythmic.
Drums, Percussion, Synthesizer [Sequential Circuits, Pro One] - Mani Neumeier
Mixed By - Chris Lietz
Music By - Moebius* , Engler* , Neumeier*
Producer - Lietz* , Moebius* , Engler* , Neumeier*
Recorded By - Chris Lietz
Synthesizer [Arp 2600, Korg Ps3100, Oberheim Sem Module, Roland Sh7], Guitar [Gibson Es 295] - Jurgen Engler*
Synthesizer [Korg Prophecy] - Dieter Moebius

Artist: Cosmic Couriers (Dieter Moebius, Mani Neumeier, Jürgen Engler)
P: 1996
This is the Japan label version.
All tracks played live in one go in the Studio. The intense of the recording was to produce a music with deep atmosphere. It is a style of modern Krautrock with strange sounds, but rhythmic.
Drums, Percussion, Synthesizer [Sequential Circuits, Pro One] - Mani Neumeier
Mixed By - Chris Lietz
Music By - Moebius* , Engler* , Neumeier*
Producer - Lietz* , Moebius* , Engler* , Neumeier*
Recorded By - Chris Lietz
Synthesizer [Arp 2600, Korg Ps3100, Oberheim Sem Module, Roland Sh7], Guitar [Gibson Es 295] - Jurgen Engler*
Synthesizer [Korg Prophecy] - Dieter Moebius

Artist: Eno, Moebius, Roedelius
P: 1978 / 2009
This album came from the same sessions which produced the 5 star masterpiece Cluster and Eno and the song By This River on Before and After Science. This is another splendid album, but it lacks the cohesiveness and sustained other worldly atmosphere of their previous release. It's also a rather more uptempo album a lot of the time, although the overall mood is still tranquil with some nagging dark undercurrents. One major difference between After The Heat and Cluster & Eno is the inclusion of Eno's vocal on a few tracks. This is particularly effective on T'Zima N'arki, which sounds as though Eno is singing his lyrics backwards or possibly is just singing nonsense syllables with bizarre inflections. This track also features Can's Holger Czukay on bass, and has some dub reggae styled sound effects - all in all, an oddly enjoyable musical confection. The Belldog, on the other hand, sounds like a track from an Eno solo album - a perfectly good song in its own right, but not quite in keeping with the rest of the album. The instrumental tracks mostly recall the spacy soundscapes of Cluster & Eno, which itself called to mind the best moments of Another Green World and Music for Films. After the Heat is a strong album from a remarkably productive collaboration, and is highly recommended.

Artist: Harmonia (Rother, Moebius & Roedelius )
P: 1975 / 2001
A masterpiece within early electronic music. You will enjoy pumping organs, together with long guitar effects. Sometimes monochromatic static backround lines will make you hypnotized!

 

Artist: Harmonia (Musiker, Roedelius & Moebius)
P: 1974 / 2007
Their famous concert in 1974. All musicians at the height of their musical collaboration time!

Artist: Harmonia (Roedelius, Rother, Moebius & Eno)
P: 1976 / 2009
Remastered reissue of the legendary 1976 recording, including three previously unreleased tracks*.
Harmonia 76 are: Hans Joachim Roedelius, Michael Rother, Dieter Moebius & Brian Eno.
Michael Rother – e-guitar, keyboards, drum machine
Dieter Moebius – synthesizer, mini harp
Hans-Joachim Roedelius – keyboards
Brian Eno – synthesizer, e-bass, voice, lyrics

Artist: Liliental
P: 1976 / 2024
Electronic music pioneer Dieter Moebius (Cluster, Harmonia) wanted to record an album together with his musical soul-mates, Okko Bekker and Asmus Tietchens, at Conny Plank s studio in 1976. In the event, Plank himself even participated in the recordings as a musician. Two other musicians also joined the fold: bassist Helmut Hattler and saxophonist Johannes Pappert (both from Kraan) had just finished working on an album and were happy to stay on at the studio. Suddenly, there were six musicians with six different personalities who had never worked together before. But what could easily have gone wrong turned into a great document of electronic music, which was rather atypical for its time and conveyed a certain lightness, revealing complex structures on closer inspection.

Artist: Dieter Moebius + Beerbohm 
P: 1984
The second of two collaborations involving Moebius and Gerd Beerbohm, Double Cut sounds miles away from the relatively harmless electronic/pop experiments of solo work by Moebius or Cluster.
Consisting of only four extended tracks, the album expresses the dark side of electronics courtesy of the repetitive trance-state on "Hydrogen" and "Minimotion." Double Cut is much closer to electronic inheritors in the experimental and techno fields than Moebius' usual new age pursuits.

Artist: Dieter Moebius + Beerbohm 
P: 1982 / 1996
Dieter Moebius is one of the most important protagonists of avant-garde electronic music in Germany (He is/was part of Cluster and Harmonia). He recorded two albums with the bassist Gerd Beerbohm in 1982 and 1983 – electronic avant-garde pop in its most rigorous form. Beerbohm turned out to be the perfect musical foil for Moebius, affording him free rein, in the very best sense of the expression, to bring his concept of pop music to life. Mastered from original tapes, liner notes by Asmus Tietchens. Endmix by Conny Plank.

Here the last copy of the Sky-Label version!

Artist: Moebius & Neumeier & Engler
P: 2014
"Another Other Places" is – after a 17 year hiatus – the successor to "Other Places" (see above), this manifesto of improvised avant-garde music by Dieter Moebius (Kluster, Cluster, Harmonia) on synthesizer and electronics, Mani Neumeier (Guru Guru) on drums, and Jürgen Engler (Male, Die Krupps) on guitars. The result: no repeat performance, instead a clear progression from its predecessor – the ambitious, but never unduly cerebral improvisation of three musical eccentrics.