Totemtag

Artist: Totemtag
P: 2022
This is all about technology of the near future, both on Earth and in Space.
All pieces are rythmic. One of them (the longest) shows my concept of "session".

Artist: Totemtag
P: 2022
This is all about technology of the near future, both on Earth and in Space.
All pieces are rythmic. One of them (the longest) shows my concept of "session".

Artist: Totemtag
P: 2023
After almost 9 months since my latest album, I am now here with a new one. It is entirely dedicated to nordic landscapes and sensations. An invitation to love this kind of Nature, which I explored in the past several times.
I would define the style as "Soft Berlin School", with a strong relaxing effect.
Here I used mostly Korg Radias, Roland Juno G-i, Spectrasonix Omnisphere and Arturia Pigments synthesizers.

Artist: Totemtag
P: 2022
This is about the possibility of “Parallel Realities”, and the way to shift from one to another. Thinking of the “many worlds interpretation” of quantum mechanics according to physicist Hugh Everett Jr. Also thinking on the so called “UFO phenomena” and a possible technology to make so called “interdimensional travel”.

Artist: Totemtag
P: 2022
This is about the possibility of “Parallel Realities”, and the way to shift from one to another. Thinking of the “many worlds interpretation” of quantum mechanics according to physicist Hugh Everett Jr. Also thinking on the so called “UFO phenomena” and a possible technology to make so called “interdimensional travel”.

Artist: Totemtag
P: 2022
 

Artist: Totemtag
P: 2022
 

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Hours of fully psychedelic music, ranging from Ambient to Berlin School, by means of very long suites.

Artist: Totemtag
P: 2022
Imagining transferring also the capability of feeling sentiments inside an android/AI. Is it possible to train a robot to feel sentiments using artificial intelligence? I have a feeling that a sentimental (not only intelligent) robot would not be very happy, due to the limitation of being trapped inside a machine-like body. And yet, from the intelligence point of view, it would be incredibly efficient and fast. The album starts with a very long poignant melodic trilogy accompanied by a minimalistic sequence (using Elektron Analog Four Mk. 2), which develops in several moments. Voices in the background show a growing soul for the android, and an inner drama. I composed this piece 5 years ago, but the time wasn't right. Techno-like pieces, alternated with "Schulzean" ones follow and dominate all the rest of the album. The android accepts only the intellectual role that has been entrusted to it, and stops suffering by eliminating forever the “sentiment subroutine" that was programmed inside it as an experiment. It explores space with no limitations and no brakes. Its ethics is dictated only by its own programming (what is right? what is wrong to do?). And meanwhile it experiences the mechanism of consciousness using only its intelligence. At that point some form of spirituality starts to grow inside it. A new kind of conscious being is born.

Artist: Totemtag
P: 2022
Imagining transferring also the capability of feeling sentiments inside an android/AI. Is it possible to train a robot to feel sentiments using artificial intelligence? I have a feeling that a sentimental (not only intelligent) robot would not be very happy, due to the limitation of being trapped inside a machine-like body. And yet, from the intelligence point of view, it would be incredibly efficient and fast. The album starts with a very long poignant melodic trilogy accompanied by a minimalistic sequence (using Elektron Analog Four Mk. 2), which develops in several moments. Voices in the background show a growing soul for the android, and an inner drama. I composed this piece 5 years ago, but the time wasn't right. Techno-like pieces, alternated with "Schulzean" ones follow and dominate all the rest of the album. The android accepts only the intellectual role that has been entrusted to it, and stops suffering by eliminating forever the “sentiment subroutine" that was programmed inside it as an experiment. It explores space with no limitations and no brakes. Its ethics is dictated only by its own programming (what is right? what is wrong to do?). And meanwhile it experiences the mechanism of consciousness using only its intelligence. At that point some form of spirituality starts to grow inside it. A new kind of conscious being is born.

Artist: Totemtag
P: 2021
This is strongly inspired by the Berlin School of classical electronic music

Artist: Totemtag
P: 2020 / 2023
I have imagined little "cities" built - using gigantic 3D printers on site, sent previously by robotic missions - on the Moon, Mars and on some moons of Jupiter and Saturn. This will probably happen in the next 10-50 years. The goal is mostly to extract minerals and also to search for elementary lifeforms.
All musical pieces here are based on playful "arpeggiated sequences", mostly obtained using the Korg Radias synth. I wanted to render a super-technology in our short-medium term future