Ashra

Artists: Ash Ra Tempel
P: 2000 / 2020
Live concert by Manuel Gottsching and Klaus Schulze at the Royal Festival Hall.
ASH RA TEMPEL, pioneering veterans of the "Berlin School", became known worldwide with their LPs / publications in the years 1971-1973. On the debut album of the same name from 1971 in the formation of Hartmut Enke (bass), Manuel Göttsching (guitar), Klaus Schulze (drums), ASH RA TEMPEL radically deconstructed elements of rock and blues and combined them with electronic sounds to create novel sound collages. Göttsching and Schulze met again and again during their later solo careers and demonstrated their musical ties to innovative guitar and electronics, but it was not until 2000 that they came together again for a short interlude as "ASH RA TEMPEL". Julian Cope (author of "Krautrock-Sampler") had invited Göttsching to his Cornucopea Festival in London, and so the wonderful opportunity arose for a unique reunion concert, which took place on April 2nd, 2000 in London's Royal Festival Hall. During the preparations for the concert, the studio album "Friendship" was created in advance. Both recordings, the studio album as well as the live recording from the concert in London "Gin Rosé" were released in 2000 in a small edition that was quickly sold out. The studio album "Friendship" was already re-released in 2014 (CD), due to the great demand here the long-awaited live album "Gin Rosé" is finally being reissued. Göttsching and Schulze combine tradition and vision, but instead of reactivating the sounds of the 1970s, the spirit of this unique liaison flows through every note of this concert, which is still contemporary today and shows the two actors with their usual and unwavering joy in playing. Recorded live at the Royal Festival Hall, London 02 April 2000 "Gin Rosè" is now considered a "farewell" concert in this line-up historically valuable document on German music history Klaus Schulze: keyboards, drum machines, sequencing, Manuel Göttsching: electric, acoustic and Hawaiian guitars  complete, unabridged concert on CD including bonus DVD of the entire concert

Artists: Ash Ra Tempel
P: 1994 / 2017
Soundtrack of Le Berceau De Cristal directed by Philippe Garrel.
All composed by Göttsching / Ulbrich except 2, 3, 4 composed by Manuel Göttsching.
Musicaly "Le berceau de cristal" is dominated by pure electronics from the seventies, electric organs,guitar echoes...put together to create delicate and peaceful soundscapes.
 

Artists: Ash Ra Tempel
P: 2017
Recorded: August 8, 2015 at Arts Centre, Melbourne, Supersense Festival of the Ecstatic

Artists: Ashra
P: 1998
Recorded at February 1997, Osaka and Tokyo, Japan.
Performed by Manuel Göttsching, Lutz Ulbrich, Harald Grosskopf and Steve Baltes.

Artists: Ashra
P: 1998
Recorded at February 1997, Osaka and Tokyo, Japan.
Performed by Manuel Göttsching, Lutz Ulbrich, Harald Grosskopf and Steve Baltes.
This double CD set contains remastered versions of the original CDs @shra and @shra Vol. 2
Composed largely by Manuel Göttsching, both serve as diverse, hypnotic breaks from the grind of standard progressive. It’s the kind of music that Robert Fripp has made in his best moments, a cross pollination of the dance beat days of Discipline-era Crimson and the mournful but compelling lines that have graced his best soundscape work. But these discs stand on their own, far above and beyond a number of releases that are presented as bold and imaginative works but prove to be only so in the minds of marketing executives. There’s an other-worldly atmosphere here, a kind of laid-back, late-night charm that leaves you in a pleasantly dumbfounded state of mind as the four members of the ensemble (Göttsching, Lutz Ulbrich, Harald Grosskopf and Steve Baltes) weave jazz and prog and chill out-inspired webs.

Here the last copy!

Artist: Ashra (Göttsching/Grosskopf/Ulbrich) 
P: 2008    
CD1 is the remastered version of the original release.
CD2 is previously unreleased material from the recording sessions in 1979.

Perfect synthesizer based, melodic, rhythmic electronic music, out of the best time of Ashra.
 

Artists: Ashra
P: 1997 / 2008
ASHRA live at the Open Air Festival Herzberg/Germany
July 1997
Line up:
Manuel Göttsching, Lutz Ulbrich,
Harald Grosskopf & Steve Baltes

Artists: Ashra
P: 1991
This one is more modern than usual. If you like Bella Alliance, just add a little more tempo and that is how this CD sounds. Unusual Ashra, but still nice. Catchy melodies and drums by Harald Grosskopf, offers all you wish. Ashra from a different side.

Artists: Ashra
P: 1989
This time ASHRA experiments with the complexity of the concentrated use of certain instruments per song, as in using only two keyboards for one song, only six voices for another, or only 12 samples for another. The powerful result is a startling, yet faintly familar sound made up of arid keyboards, charming crystalline sequences and finally, the resounding bent-sustain guitar notes that ASHRA fans have grown to worship. [...] More than simply satisfying, this release is a breathtaking growth for the band, expanding the group's root talent into new regions.

Artist: Manuel Göttsching
P: 1977 / 1991
Dream & Desire belongs more with the Virgin Years era. It's not easy to relate it to New Age of Earth or Blackouts, since is has its own unique atmosphere. The compositions on D&D is Manuel in his most sublime and contemplative style, words that could describe it: flowing, moody, gentle, peaceful, comforting. It lacks the agressiveness of Blackouts or Belle Alliance, it's way too gentle, but that's what makes this CD so special: take the best pieceful moments in New Age, and then multiply it by a 100, that's how Dream And Desire feels.

Here the last copy!

Artist: Manuel Göttsching
P: 1977 / 1991 / 2019
Dream & Desire belongs more with the Virgin Years era. It's not easy to relate it to New Age of Earth or Blackouts, since is has its own unique atmosphere. The compositions on D&D is Manuel in his most sublime and contemplative style, words that could describe it: flowing, moody, gentle, peaceful, comforting. It lacks the agressiveness of Blackouts or Belle Alliance, it's way too gentle, but that's what makes this CD so special: take the best pieceful moments in New Age, and then multiply it by a 100, that's how Dream And Desire feels.
Manuel's 1977 studio recording Dream & Desire, first released on CD in 1991, is available again in a carefully re-edited version.
 

Artist: Manuel Göttsching
P: 1977 / 1991
Dream & Desire belongs more with the Virgin Years era. It's not easy to relate it to New Age of Earth or Blackouts, since is has its own unique atmosphere. The compositions on D&D is Manuel in his most sublime and contemplative style, words that could describe it: flowing, moody, gentle, peaceful, comforting. It lacks the agressiveness of Blackouts or Belle Alliance, it's way too gentle, but that's what makes this CD so special: take the best pieceful moments in New Age, and then multiply it by a 100, that's how Dream And Desire feels.

Here the last copy of the rare Musique Intemporelle (Bernd Kistenmacher Label) Version!

Artist: Manuel Göttsching
P: 2007
Even if some titles may sound familiar, they are not what you know. Manuel arranged them in a totally new way.
The album opens with "Sunrain" which was originally from the 1976 classic "New Age of Earth". The familiar hypnotic sequencer pattern is already in place however on this new version, Manuel takes it in a slightly different direction and extends the piece to nearly 15-minutes.
"Saint and Sinner" is a more recent piece which was originally heard on the 2004 release "Concert For Murnau". This laid back piece is taken a step up from its studio counterpart as Manuel adds a bluesy Clapton-esque guitar lead that wasn't there before.
"Trunky Groove" is a brand new piece composed for this concert and is a showcase for the psychedelic music style that was the norm for Manuel back in his very early days in Ash Ra Tempel. A techno-style rhythm is accompanied by a long drone and intense orchestrations before giving way to an effects-drenched guitar solo.
"Die Mulde" is a 20-minute excerpt from Manuel's long-form 1997 piece of the same name. It begins with the "Die Spiegel" section of the piece and shifts into the closing "Zerfluss" movement. As with "Saint and Sinner", Manuel adds a guitar lead which wasn't in the original version.
Finally, to close the album, we have yet another arrangement of the classic "Shuttlecock" which originally is from the 1978 masterwork "Blackouts". The arrangement is similar to the 1976 live version that appeared on the 1996 CD set "The Private Tapes" but definitely has a modern twist. Manuel's guitar playing is up front and center here and is stellar - almost like taking a trip back to the mid 70s.
 

Artists: Manuel Goettsching
P: 1977 / 2008
This is the Ricochet Dream Edition with differnet Artwork.
The first album for Virgin was New Age of Earth, an album that since became a classic. Although it is credited under the group name ASHRA, New Age of Earth is actually performed by Manuel Göttsching alone. Relying more on synthesizers than his usual guitar, Göttsching created four richly-textured compositions that are both intriguing and stimulating. It is no doubt that New Age of Earth is Manuel Göttsching and Ashra's finest album. In all honesty, no music collection should be without ASHRA's New Age of Earth.
 

Artist: Software, Hoenig, Eno,
Oldfield, Ashra u.a.
P: 1990
This is one of the early IC Collections with the best tracks from the electronicmusic world, not only with IC releases, more with best of all tracks.


Here the last copy.

Artist: TD, Ashra, Eno, Froese u.a.
P: 1993
What you get is a fairly decent ambient selection from Virgin's rich and varied back catalogue from the 70's, 80's and 90's. Some of it naturally sounds a little dated, but it is a history lesson so what do you expect.

Artists: Various Artists
P: 1999
This is a recording of the live concert held at Burg Herzberg in 1999, where all of the artists of this CD played live. A kind of Woodstock in Germany with a lot of Krautrock bands.