Benedictis, Dean De

Dean De Benedictis, aka Surface 10 has envisioned a vital work of instrumental compositions, exploring the art of electronic music with a refreshing integrity. Blending traditional electronic tones and structures with acoustic elements, he has sculpted an album that is raw and direct. In essence, he has captured a heart of true electronic music, while suggesting more thought-provoking themes. His first release was in 1996.
Benedictis, Dean De
Brian Eno Tribute - A Tribute to the Music + Works of Brian Eno

Artist: Various
P: 1997
Some very nice interpretations from very well known musician about pieces from the master of ambient.

Here the last copy!

18,90 EUR
 
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Dean De Benedictis - A Lone Reply

Artist: Dean De Benedictis
P: 2001
This music is an atmospheric collage of multi ethnic influences, based primarily on Native American culture and spirit. "A lone reply" is a new turn, yet not unfamiliar territory for Dean De Benedictis, known in the electronic music world as Surface 10.
After accumulating an expansive sense of place from his travels, and connecting with the land and native people of the West, Dean was moved to pay homage to these earthly values.  On this CD Dean draws on deep, elongated, atmospheric melodies sometimes accompanied by driving tribal drum rhythms.
Such instruments as American Indian flutes (Mayan style), ocarina, Balinese flutes, piano, synth, hand drums, slit drums, and Dean's voice can be heard throughout "a lone reply", ninety percent of which was played by hand. Some of these instruments were accumulated during Dean's travels through the American west.  Field recordings and various samples were also utilized to create slowly evolving layers of sound, merging into a blissful, chasm-like setting.
"A lone reply" portrays a spirituality and sensitive closeness to the earth, while at the same time seeks to extract some darkness and sorrow from the mystery of existence in this time of overwhelming technological advancement. Dean states, "This is simply a lone, singular reply to it all. One with deep serenity."


17,85 EUR
 
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Dean De Benedictis - Salvaging the Past

Artist: Dean De Benedictis
P: 2005
Dean De Benedictis, has envisioned a vital work of instrumental compositions, exploring the art of electronic music with a refreshing integrity. Blending traditional electronic tones and structures with acoustic elements, he has sculpted an album that is raw and direct. In essence, he has captured a heart of true electronic music, while suggesting more thought-provoking themes.
De Benedictis realizes this vision through various electronic tonalities, samples, and acoustic instruments such as mayahachi flute, bamboo flutes, cello, piano, voice, guitars, hand drums, and percussion – applying all, with the passion and inspiration of the masters before him.
Salvaging the Past is not only an homage to the electronic music of the past, but expands the vocabulary of the present.
To the listener:
Our physical realm is comprised of drastically separate entities mix-matching and ambiguously aligning into one harmonious collage. Such is the underlying principal behind "Salvaging The Past.” It is not the first time I've based a project on this philosophy. So much of my unreleased work had been inspired by this principle, and specifically by a variety of traditional ambient music genres, that eventually I felt compelled to tie this particular work together... how could I not? With some songs containing an intense electronic base and others a pure acoustic base, creating the mood for "Salvaging The Past" was tricky, but I do feel that we brought the music together as best as possible. As always, it is all from the same soul.
Dean De Benedictis

15,40 EUR
 
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Dean De Benedictis - Salvaging the Present

Artist: Dean De Benedictis
P: 2016

Bending the walls of experimental electronic-ambient music, Dean De Benedictis creates a bold tapestry of sonic vibrancy on Salvaging The Present. Through the creative use of musical instruments and sound design tools, De Benedictis scores an emotionally deep, aesthetically appealing and technologically sophisticated triumph, blending organic and electronic expressions into a compelling panorama of music and sound.
Vowel-based arpeggios and pulsing sequences modulate with abstract yet mesmerizing rhythms, clearly defining a distinctive sound that is deeply rooted in De Benedictis’ unorthodox technique of blending vocal samples with percussion hits. Added to that are many other elements – both electronic and acoustic – as De Benedictis rounds out the mix with his own performances on concert flute, grand piano, guitar, harmonica, hand percussion, cedar flutes, and voice, as well as contributions from Percy Jones (bass), Alexey Gorokholinskiy (clarinet), Peter Ludwig (cello, and voice), Lisa Claire Mitterer (vocals), D’Von Charley (native flute), Jim Goetsch (sax), and Angelo Elonte (violin).
Rendering his sonic travels through realms of mystery, stillness and spirit, De Benedicits delivers fresh investigations into the environment of music and sound; an environment where electronic wizardry and acoustic dexterity combine with samples, effects and processing, resulting in a distinctive artistry that is truly unique. From the vibrant and energetic rhythms that propel the atmosphere onward, to the lush blankets of sound that wash over everything and give way to a delicate tranquility, the music of Salvaging The Present does indeed roll gracefully through the present moment, always evolving, and moving ever forward.

14,90 EUR
 
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Schwingungen Radio auf CD - Edition Nr.262  03/17
Schwingungen - Radio auf CD
Edition Nr.: 262
03/2017
5,00 EUR
 
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V/A - Weightless, Effortless

Artist: V/A
P: 1999
Here's another excellent ambient anthology for those into the darker end of the genre. Featuring nine artists, the sampler takes from both new and veteran musicians, to deliver up a diverse yet flowing 74 minute CD. Kevin Keller opens the disc with samples of voices whispering. From it he creates a slow 12 minute warm drift similar to musicians like Robert Scott Thompson. Illinois synthesist James Johnson's Closure is at least half as long as Keller's track, yet the style is very similar, with muted and shifting chords gently floating on the air, melodic and peace-inducing. Dean DeBenedictis takes a much different approach, far more abstract and surreal, although there is a similar underlying melodic pattern underneath the Schnitzler like rattling and scuttling. As the tracks progresses along its eight minute length, it grows more fascinating with treated water sounds and voices. It is over far too soon. Ma Ja Le return the focus to melody, and the nine minutes Images Remain is full of crystal, ethereal chords floating up, a far different sound than their CD with Vir Unis. A piece one can lose themself in, with longing and melancholy, this would have fit perfectly on The Ambient Expanse. Rod Modell's Ipperwash Twilight leaps out of the speakers with incredible sonic clarity, and you immediately know you're in the presence of a creative force. Strange, but slightly melodic synths with a wide array of tones and field recordings spread sheets of sound over percolating sequencers, and the strange scaling and effects, successfully create an incredibly alien landscape. This is visionary music, alone worth the price of this disc. Dave Fulton's piece is also odd, with steely sequencer and loads of metallic industrial sounds that starts at a low volume that increases over most the track's length. It's dissonant melody provides sort of a lull in the overall CD flow, and sets up veteran Loren Nerell's Liquid Metal Stasis, an intense drone with microtonal bell sounds, volcanic bubbling, and other rich and colorful tonal shading. We definitely can never hear enough from Nerell. Scott Fraser's Straight Lines is another drone where the subtlety hinges on the changes of tones of the synthesizers. At eight minutes, it progresses through number of colorings, remaining surprisingly dynamic. As he often does, Steve Roach closes the set, his contribution the 7 1/2 minute Bottomless, and here we see the least urban track on the anthology evoking the wide expanses and chthonic depths of consciousness. A more chilly track than Roach usually produces, but no less evocative for it. A strong anthology, and one of the more impressive of the type in recent memory."
1999  Mike McLatchey / Expose Magazine

11,90 EUR
 
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