RARITIES

Artist: Klaus Schulze
P: 1977 / 1992
Evoking power, purification, enchantment and lyrical relaxation together with a biological rhythm that became music these are the five pieces that make up this pulsing mosaic of poetry set to music . That was the opinion of Body Love 2 by the German Music Magazine "Stereoplay" in June 1978.

Klaus Schulze in his Berlin School years!

Here the last copy of the original first Brain label CD version!

Artist: Klaus Schulze
P: 1980 /2005
Nr.: 13
2005 release with a bonus DVD with the complete concert film Linzer Stahlsinfonie from 1980 and enhanched booklet.
Recorded: May to September 1980, Hambühren, Germany
Fred Severloh - Drums
Klaus Schulze - Synthesizer, Drums, Vocals, Computers, Keyboards, Guitar
First fully digital recording. To the point.
* NTSC
* Region code free

Here the last copy!

Artist: Klaus Schulze
P: 1986/ 2005
Nr.:19
The four tracks that make up 1987 Dreams fit well into Klaus’ late 80’s work and, as well, disappear into a world of their own. The title track has been said to be the most disturbing of his works while Five To Four works upon Oriental colours and textures. A Classical Move and the 24+ minute Klaustrophony relate closer to the uneven rhythms and experimental stretches and drives coupled with dark synth sounds more common of Klaus Schulze’s works.
The previously unreleased 24 minute Constellation Andromeda has been added as a bonus track to the new edition.
DeLuxe Edition incl. Bonus Track & enhanced booklet with new photos & liner notes

Artist: Klaus Schulze
P: 1979/ 2005
Nr.: 11
Originally released in 1979, Dune is one of Schulze's most important albums, featuring Arthur Brown on vocals reading a poem by Schulze, and Wolfgang Tiepold on cello. This release includes new liner notes and photos, and a never before released 23-minute bonus track!
Recorded between April and May 1979, Hambühren, Germany

Klaus Schulze - synthesizers
Arthur Brown - vocals
Wolfgang Tiepold - cello

Artist: Klaus Schulze
P: 1983/ 1991
The handful of concerts in big cities in Poland marked the end of a very long concert tour during the first half of 1983. Many praising words were written and said about these gigs in huge halls in front of many thousands of enthusiastic Polish fans.
Klaus Schulze – electronics
Rainer Bloss - keyboards


Here the last copy!

Artist: Klaus Schulze
P: 1988/ 2005
Nr.: 20
Remastered 2005 version incl. bonus track and enhanced booklet with new photos & liner notes.
Recorded: Autumn 1987, Hambühren

Klaus Schulze - Roland S 50, Roland D50, Roland MKS 30, Roland MKS 80, Roland DDR, Roland 505 Drums, Roland MC 500, Roland JX 10 P, Diverse effects, Korg DW 8000, Korg DVP-1, Yamaha DX 7 II, Fairlight, Akai Sampler

En=Trance is one of his more experimental and offbeat discs; it borders on avant-garde.

Artist: Klaus Schulze
P: 1988
Recorded: Autumn 1987, Hambühren

Klaus Schulze - Roland S 50, Roland D50, Roland MKS 30, Roland MKS 80, Roland DDR, Roland 505 Drums, Roland MC 500, Roland JX 10 P, Diverse effects, Korg DW 8000, Korg DVP-1, Yamaha DX 7 II, Fairlight, Akai Sampler

En=Trance is one of his more experimental and offbeat discs; it borders on avant-garde.

Here the last copy of the original brain version, with slightly different track times.

Artist: Klaus Schulze
P: 1994
Here we find classical pieces played by Klaus Schulze on his synthesizers with his typical sounds.

Here the last copy!
 

Artist: Klaus Schulze
P: 1995 / 2005/ 2016
This set has almost 160 minutes of pure "Klaustrophobia." That means that these three long-form compositions are full of sequences, dense atmospheres, and drawn-out synth washes. Schulze invited Manuel Göttsching, his former Ash Ra Tempel partner, to play guitar on one of the compositions, "Return of the Tempel". Each of the compositions has several movements, each relating to blue -- the color or the mood.
Schulze is in rare form on this set. It has textures and timbres of minimalism. The sequences are gentle and subtle. It had been four years since Schulze had done a regular studio album and this -- after a Wahnfried disc, a classical CD, an opera, and a live release -- is refreshing.
He shows that he is just as adept at ambient as he is at the Berlin school.

Here the last copy!
 

Artist: Klaus Schulze
P: 1995 / 2005/ 2016 / 2025
This set has almost 160 minutes of pure "Klaustrophobia." That means that these three long-form compositions are full of sequences, dense atmospheres, and drawn-out synth washes. Schulze invited Manuel Göttsching, his former Ash Ra Tempel partner, to play guitar on one of the compositions, "Return of the Tempel". Each of the compositions has several movements, each relating to blue -- the color or the mood.
Schulze is in rare form on this set. It has textures and timbres of minimalism. The sequences are gentle and subtle. It had been four years since Schulze had done a regular studio album and this -- after a Wahnfried disc, a classical CD, an opera, and a live release -- is refreshing.
He shows that he is just as adept at ambient as he is at the Berlin school.

Here the last copy!