Schulze, Klaus

Artist: Klaus Schulze
P: 1994 / 2005 / 2018
Das Wagner Desaster was recorded on digital 8-track during the two legendary 1994 concerts staged by Klaus Schulze in Paris and Rome, May 27 and 31. Schulze then edited the shows into two different mixes, disc one featuring The Wild Mixes with The Soft Mixes on the other, to create the in-demand live album that fans had been clamouring for for years. The results are pure Schulze and Das Wagner Desaster resides in not only the upper echelon of Klaus Schulze recordings but in that of all classic and essential electronic music. The new Revisited version is packaged in deluxe digipak format with enhanced booklet and new liner notes as well as an exclusive bonus track.
DeLuxe Edition incl. Bonus Track & enhanced booklet with new photos & liner notes
Originally recorded: At concerts in Paris (27 May 1994) and Rome (31 May 1994) and mixed in August 1994, Hambühren
Bonus track: From concert in Spain, 1991
A daring experiment: Two same concert recordings with just different mixes.

Artist: Klaus Schulze
P: 2022
About ‘Deus Arrakis‘ Klaus Schulze says: „On the one hand this album was created as spontaniously as all my albums before, on the other hand it has a special history: when I produced my eleventh album ‘Dune‘ in 1979 I already knew the ‘Dune‘ triology by Frank Herbert inside out like other people knew their ‘Lord of the Rings‘. I was totally fascinated by this monumental story of the desert planet und I read the books over and over again. I asked Arthur (Brown) and Wolfgang (Tiepold) to come to my studio and started creating my own musical ‘Dune‘. And with the track ‘Frank Herbert‘ from my previous album ‘X‘ I wanted to show respect to the great author. After the following film versions -not really satisfying in my view- the ‘Dune‘ theme was not in my focus anymore and was forgotten for a long time. But suddenly - about 40 years later - I heard of plans regarding a ‘Dune‘ remake by Denis Villeneuve – which totally unexpected hit a spot with me. I started to read the books again and even rewatched the film by David Lynch. Actually, I do quite a lot of reading currently, as I now have the time for it! After a while I then also started making music again but did not really think of ‘Dune‘ anymore. Months later the phone rang and Lisa (Gerrard) connected me to her friend Hans Zimmer. He had this idea for a cooperation... exactly for that very ‘Dune‘ remake by Denis Villeneuve! We got on well from the start – just like me, Hans also is a huge fan of ‘Dune‘ – and the result indeed ended up being in the 'Dune' movie. Truly incredible how sometimes circles open up, cross and then close again in the end. However, I was caught again by the deserts of ‘Dune‘ and needed more ‘spice‘. Excitedly I returned to my studio and found a cello recording by Wolfgang Tiepold. From there I felt completely unleashed and just played and played… at the end of that second private ‘Dune‘ journey I realized: ‘Deus Arrakis‘ became another salute to Frank Herbert and to that great gift of life in general.“ 
All titles written and recorded by Klaus Schulze with Tom Dams.
Cello by Wolfgang Tiepold, Voice noises by Eva-Maria Kagermann.
Produced by Tom Dams at Moldau Musik Studio, Walhalla and mastered at Studio Forstmehren.

Artist: Klaus Schulze
P: 2022
About ‘Deus Arrakis‘ Klaus Schulze says: „On the one hand this album was created as spontaniously as all my albums before, on the other hand it has a special history: when I produced my eleventh album ‘Dune‘ in 1979 I already knew the ‘Dune‘ triology by Frank Herbert inside out like other people knew their ‘Lord of the Rings‘. I was totally fascinated by this monumental story of the desert planet und I read the books over and over again. I asked Arthur (Brown) and Wolfgang (Tiepold) to come to my studio and started creating my own musical ‘Dune‘. And with the track ‘Frank Herbert‘ from my previous album ‘X‘ I wanted to show respect to the great author. After the following film versions -not really satisfying in my view- the ‘Dune‘ theme was not in my focus anymore and was forgotten for a long time. But suddenly - about 40 years later - I heard of plans regarding a ‘Dune‘ remake by Denis Villeneuve – which totally unexpected hit a spot with me. I started to read the books again and even rewatched the film by David Lynch. Actually, I do quite a lot of reading currently, as I now have the time for it! After a while I then also started making music again but did not really think of ‘Dune‘ anymore. Months later the phone rang and Lisa (Gerrard) connected me to her friend Hans Zimmer. He had this idea for a cooperation... exactly for that very ‘Dune‘ remake by Denis Villeneuve! We got on well from the start – just like me, Hans also is a huge fan of ‘Dune‘ – and the result indeed ended up being in the 'Dune' movie. Truly incredible how sometimes circles open up, cross and then close again in the end. However, I was caught again by the deserts of ‘Dune‘ and needed more ‘spice‘. Excitedly I returned to my studio and found a cello recording by Wolfgang Tiepold. From there I felt completely unleashed and just played and played… at the end of that second private ‘Dune‘ journey I realized: ‘Deus Arrakis‘ became another salute to Frank Herbert and to that great gift of life in general.“ 
All titles written and recorded by Klaus Schulze with Tom Dams.
Cello by Wolfgang Tiepold, Voice noises by Eva-Maria Kagermann.
Produced by Tom Dams at Moldau Musik Studio, Walhalla and mastered at Studio Forstmehren.

Artist: Klaus Schulze
P: 1980 /2005
Nr.: 13
2005 release with a bonus DVD with the complete concert film Linzer Stahlsinfonie from 1980 and enhanched booklet.
Recorded: May to September 1980, Hambühren, Germany
Fred Severloh - Drums
Klaus Schulze - Synthesizer, Drums, Vocals, Computers, Keyboards, Guitar
First fully digital recording. To the point.
* NTSC
* Region code free

Here the last copy!

Artist: Klaus Schulze
P: 1980 / 2005 / 2016
2005 release with a bonus DVD with the complete concert film Linzer Stahlsinfonie from 1980 and enhanched booklet.
Recorded: May to September 1980, Hambühren, Germany
Fred Severloh - Drums
Klaus Schulze - Synthesizer, Drums, Vocals, Computers, Keyboards, Guitar
First fully digital recording. To the point.
* NTSC
* Region code free


 

Artist: Klaus Schulze
P: 1997/ 2006
Nr.: 78
Excellently improvised with dance rhythms and Mellotron sounds as musical dimension – Klaus Schulze’s contribution to the 90s. ‘Dosburg Online’ is a successful mixture of classical music and trance, and presents this old-school master of electro at one of this celebrated live recordings.
Re-issue in a deluxe Digipak packaging along with a 16-pages booklet full of pictures and new liner notes.
Recorded at concerts in Duisburg and at "Radio Fritz" Berlin Babelsberg in May 1997 and in KS' studio Hambühren, Germany in spring and summer 1997
All titles conceived, composed and played by Klaus Schulze.
Lorraine Oostwoud - lyrics on track 2 and 9.
Klaus Schulze - keys, drummachines & SQ's (all tracks).
Jörg Schaaf - keys, Rave-o-lution & SQ's on track 7,8 and 9.
Roelof Oostwoud - vocals on track 2 and 9.

Artist: Klaus Schulze
P: 1986/ 2005
Nr.:19
The four tracks that make up 1987 Dreams fit well into Klaus’ late 80’s work and, as well, disappear into a world of their own. The title track has been said to be the most disturbing of his works while Five To Four works upon Oriental colours and textures. A Classical Move and the 24+ minute Klaustrophony relate closer to the uneven rhythms and experimental stretches and drives coupled with dark synth sounds more common of Klaus Schulze’s works.
The previously unreleased 24 minute Constellation Andromeda has been added as a bonus track to the new edition.
DeLuxe Edition incl. Bonus Track & enhanced booklet with new photos & liner notes

Artist: Klaus Schulze
P: 1986/ 2005 / 2016
 The four tracks that make up 1987 Dreams fit well into Klaus’ late 80’s work and, as well, disappear into a world of their own. The title track has been said to be the most disturbing of his works while Five To Four works upon Oriental colours and textures. A Classical Move and the 24+ minute Klaustrophony relate closer to the uneven rhythms and experimental stretches and drives coupled with dark synth sounds more common of Klaus Schulze’s works.
The previously unreleased 24 minute Constellation Andromeda has been added as a bonus track to the new edition.
DeLuxe Edition incl. Bonus Track & enhanced booklet with new photos & liner notes

Artist: Klaus Schulze
P: 1979/ 2005
Nr.: 11
Originally released in 1979, Dune is one of Schulze's most important albums, featuring Arthur Brown on vocals reading a poem by Schulze, and Wolfgang Tiepold on cello. This release includes new liner notes and photos, and a never before released 23-minute bonus track!
Recorded between April and May 1979, Hambühren, Germany

Klaus Schulze - synthesizers
Arthur Brown - vocals
Wolfgang Tiepold - cello

Artist: Klaus Schulze
P: 1979/ 1992
Originally released in 1979, Dune is one of Schulze's most important albums, featuring Arthur Brown on vocals reading a poem by Schulze, and Wolfgang Tiepold on cello.
Recorded between April and May 1979, Hambühren, Germany

Klaus Schulze - synthesizers
Arthur Brown - vocals
Wolfgang Tiepold - cello

Here the original Thunderbolt label version!