Various Artists

Artist: V/A
P: 1994
Spotted Peccary Music's original compilation album, featuring music by several Spotted Peccary artists including Greg Klamt, Deborah Martin, and Jon Jenkins and Paul Lackey. The diverse selections flow naturally throughout, creating a coherency and consistency rarely found on compilation albums. From upbeat rhythmic movements, to symphonic melodies, to ambient electronic passages and dark spacial moods, Tracks In Time introduces these talented new artists who successfully capture the spirit of the New American Sound.

Artist: V/A
P: 2001
A collection of ambient and textural pieces from previous releases by David Helpling, Deborah Martin, Jon Jenkins, Mark Rownd, and J. Arif Verner.

Artist: Various Artists
P: 2008
Message from a Subatomic World excels at doing what the label does best with their compilations – introducing listeners to a variety of new and established artists in a cohesive album. Austere's "Crystil" is first, and it is a cool ten minute journey into a variety of ambient sounds. At first the music is almost imperceptibly quiet, but soon the soft drones are joined by beautiful wordless vocals that border on operatic in feel. Piano adds to the regal nature that briefly takes over before becoming soft drifting ambience again. Barely intelligible male vocals come later in forceful whispers.
Evan Bartholomew's "Sacrosanct" is next, and it does have a touch of the sacred about it – ambient church music perhaps. Bleeps and blips in "Distant Radiance" by Relapxych.0 are juxtaposed against glassy smoothness. Numina follows with "Nadir Ever Spirals," which swirls about in equal parts lightness and darkness. The entire disc, and this track in particular, has a very relaxed meditative quality. Jason Sloan paints a sonic picture of dark restlessness in "faded.forgotten[trace]." It is eerie and beautiful at the same time, whereas Phaenon's "Quantum Silence" dives down into the depths. Ironically, Stephen Philips "Down Deep" brings us out of the darkness with a comparatively light airy floater. Pure drones fans have to check out Eric Kesner, aka True Colour of Blood. His "Choosing To Remain Blind" is composed entirely on guitar, though its warm ambient tones scarcely resemble one.
Svartsinn creates a review for me with the perfectly titled "Cold But Strong."
The disc closes with one of the best known names in ambient music, Italy's Oöphoi. Also aptly named, "Icelight" could have formed a bookend with Svartsinn called "Cold But Bright" instead. With not a bad track to be found, this is an essential addition to any true ambient fan's music collection.

Phil Derby / Electroambient Space

Artist: V/A
P: 2007
Sounds of a Universe Overheard is a collection of ten tracks exclusive to this CD, created by a cross-section of ambient, experimental and soundscape artists from around the world. Included in this diverse group are more established recording artists who will be known to most listeners to these genres, as well as new, emerging names. We feel a compilation is most interesting when it varies from the familiar to the new. This disc covers all sorts of territory in terms of sound, from more musical and soundtrack-like sounds, to darker ambient, to pure sonic experimentation.

Artist: V/A
P: 1999
Here's another excellent ambient anthology for those into the darker end of the genre. Featuring nine artists, the sampler takes from both new and veteran musicians, to deliver up a diverse yet flowing 74 minute CD. Kevin Keller opens the disc with samples of voices whispering. From it he creates a slow 12 minute warm drift similar to musicians like Robert Scott Thompson. Illinois synthesist James Johnson's Closure is at least half as long as Keller's track, yet the style is very similar, with muted and shifting chords gently floating on the air, melodic and peace-inducing. Dean DeBenedictis takes a much different approach, far more abstract and surreal, although there is a similar underlying melodic pattern underneath the Schnitzler like rattling and scuttling. As the tracks progresses along its eight minute length, it grows more fascinating with treated water sounds and voices. It is over far too soon. Ma Ja Le return the focus to melody, and the nine minutes Images Remain is full of crystal, ethereal chords floating up, a far different sound than their CD with Vir Unis. A piece one can lose themself in, with longing and melancholy, this would have fit perfectly on The Ambient Expanse. Rod Modell's Ipperwash Twilight leaps out of the speakers with incredible sonic clarity, and you immediately know you're in the presence of a creative force. Strange, but slightly melodic synths with a wide array of tones and field recordings spread sheets of sound over percolating sequencers, and the strange scaling and effects, successfully create an incredibly alien landscape. This is visionary music, alone worth the price of this disc. Dave Fulton's piece is also odd, with steely sequencer and loads of metallic industrial sounds that starts at a low volume that increases over most the track's length. It's dissonant melody provides sort of a lull in the overall CD flow, and sets up veteran Loren Nerell's Liquid Metal Stasis, an intense drone with microtonal bell sounds, volcanic bubbling, and other rich and colorful tonal shading. We definitely can never hear enough from Nerell. Scott Fraser's Straight Lines is another drone where the subtlety hinges on the changes of tones of the synthesizers. At eight minutes, it progresses through number of colorings, remaining surprisingly dynamic. As he often does, Steve Roach closes the set, his contribution the 7 1/2 minute Bottomless, and here we see the least urban track on the anthology evoking the wide expanses and chthonic depths of consciousness. A more chilly track than Roach usually produces, but no less evocative for it. A strong anthology, and one of the more impressive of the type in recent memory."
1999  Mike McLatchey / Expose Magazine

Artist: V/A
P: 2002
Spa lounge, a compilation of tracks chosen by New Earth Records for their relevence to the spa atmosphere, is light and fluid, offering an assortment of moods that varies with each artist. Parijat, for example, is featured with three tracks on the album, each of which adds ethnicity (Middle Eastern) and exoticism to the mix. Famed flutist Deuter is responsible for the album's lighter, more uplifting moments ("Apres la Pluie" is very nice) and Anugama alters between tribal ('Shamanic Journey') and impressionistic (a pair of leter tracks). The common thread is a sense of peace and calm, creating a holistic refuge for the weary soul

Artist: Various Artists
P: 2008
This is a project, where all these dark ambient musicians played new tracks for this collection.
Low frequencies, deep atmospheres, layers of darkness. All this decorated with slow, wicked melodies. Music not usually coming from your radio, more likely coming from the abyss scorching inside a sick mind. But there is this place - Dark Ambient Radio. A place which provides with a shelter not only those who enjoy drowning their senses in dark soundscapes and atmospheres but also the ones who dare to create them. 
 

Artist: Brainwork, Rainbow Serpent,
Tyndall, Scholl, Waveshape
P: 1995
LTD 1000
This is a nice collection of new tracks by the artist of the german electronic music scene around 1995.
It includes the best track ever played by Waveshape, which is exclusively ONLY to be found on this CD!

Here is the last copy!

Artist: Jarre, Kitaro, Klaus Schulze
u.a.
P: 1998
Very good collection of the best electronic music tracks around the year 1998.