Tangerine Dream

Artist: Tangerine Dream
P: 1992 / 2009    
The album has a very rock-oritented dance sound especially with the title track but also has some very unusual New Age grooves such as "Penguin Reference" as well as the eerie "Lifted Veil". "Rockoon", recorded and published in 1992, was the first album conceived by the family powers.

Artist: Tangerine Dream
P: 1992 / 1999 
The album has a very rock-oritented dance sound especially with the title track but also has some very unusual New Age grooves such as "Penguin Reference" as well as the eerie "Lifted Veil". "Rockoon", recorded and published in 1992, was the first album conceived by the family powers.

Artist: Tangerine Dream
P: 1992
The album has a very rock-oritented dance sound especially with the title track but also has some very unusual New Age grooves such as "Penguin Reference" as well as the eerie "Lifted Veil". "Rockoon", recorded and published in 1992, was the first album conceived by the family powers.
Here the original first Virgin version.

Artist: Tangerine Dream
P: 1992
Maxi-CD with an additional Bonus Track (not on Album) and a long Interview.

Here the last copy!

Artist: Tangerine Dream
P: 1975/ 1995   
Tangerine Dream's 1975 album picks up where 1974's Phaedra left off--with sequenced teases of palpitating synth under ambient washes of cosmic sound and traces of melody. If Phaedra was the marsh of dank electronic washes and eerie sounds in the night, Rubycon is that marsh just before dawn, awakening in a dusky light of bubbling metallic sequences and murky movements of lush synth. There's plenty of dreamy sections here, continuing on for several long delicious moments while creating a cosmic space that hovers between the unconscious and awakening. "Rubycon, Part II" builds an electronic wind tunnel of sound before breaking like a sunbeam through a cathedral and soaring into softly urgent skies of nuanced melody. The piece moves as an ocean wave, washing gently into a shore of tinkling cosmic rocks that reverberate and find hints of subtle, aching harmony before finally evaporating into the album's end. A brilliant ambient work.

Artist: Tangerine Dream
P: 1975/ 2004
Here the Japan version.
Tangerine Dream's 1975 album picks up where 1974's Phaedra left off--with sequenced teases of palpitating synth under ambient washes of cosmic sound and traces of melody. If Phaedra was the marsh of dank electronic washes and eerie sounds in the night, Rubycon is that marsh just before dawn, awakening in a dusky light of bubbling metallic sequences and murky movements of lush synth. There's plenty of dreamy sections here, continuing on for several long delicious moments while creating a cosmic space that hovers between the unconscious and awakening. "Rubycon, Part II" builds an electronic wind tunnel of sound before breaking like a sunbeam through a cathedral and soaring into softly urgent skies of nuanced melody. The piece moves as an ocean wave, washing gently into a shore of tinkling cosmic rocks that reverberate and find hints of subtle, aching harmony before finally evaporating into the album's end. A brilliant ambient work.

Artist: Tangerine Dream
P: 1991 / 2007
In this popular Grimm's fairy tale, a king tells a young woman that she must spin a roomful of straw into gold by morning—or die. To complete this impossible task, she is forced to promise her firstborn child to a mysterious little man in return for his gold-spinning ability. Years later, he returns to claim what is his—only to find that he has underestimated the power of a mother's love. This is a haunting and heartfelt retelling of the classic German tale. Illustrated by Peter Sis. Ages 6 and up. Chicago International Film Festival Award; The Children's Music Web Awards special judges' citation.

Artist: Tangerine Dream
P: 2000 / 2009    
Remastered.
Instead of the usual pounding drum machines and digital orchestral samples, Tangerine Dream create more impressionistic, chamber spaces. Synthesizers swirl on "The Orange Breath," while digital choirs are transformed in ambient refractions. On "The Golden Heart," Chinese flutes accent a stereo-panned percolating beat that fades in and out of synthesizer sweeps. But the heavy string pads do get oppressive partway through, especially on the lugubrious "The Blue Pearl." Tangerine Dream are still languishing in digital laxness, relying on preprogrammed sounds and patterns.
The Seven Letters From Tibet is an excellent album for relaxation, although barely any usage of sequencers and drum machines have been made to the normal extent.

Artist: Tangerine Dream
P: 2000 / 2009    
Remastered. HiQualityCD. Tangerine Dream Eastgate Era collection vol.1. Japan Version.
Instead of the usual pounding drum machines and digital orchestral samples, Tangerine Dream create more impressionistic, chamber spaces. Synthesizers swirl on "The Orange Breath," while digital choirs are transformed in ambient refractions. On "The Golden Heart," Chinese flutes accent a stereo-panned percolating beat that fades in and out of synthesizer sweeps. But the heavy string pads do get oppressive partway through, especially on the lugubrious "The Blue Pearl." Tangerine Dream are still languishing in digital laxness, relying on preprogrammed sounds and patterns.
The Seven Letters From Tibet is an excellent album for relaxation, although barely any usage of sequencers and drum machines have been made to the normal extent.

Artist: Tangerine Dream
P: 2000
Instead of the usual pounding drum machines and digital orchestral samples, Tangerine Dream create more impressionistic, chamber spaces. Synthesizers swirl on "The Orange Breath," while digital choirs are transformed in ambient refractions. On "The Golden Heart," Chinese flutes accent a stereo-panned percolating beat that fades in and out of synthesizer sweeps. But the heavy string pads do get oppressive partway through, especially on the lugubrious "The Blue Pearl." Tangerine Dream are still languishing in digital laxness, relying on preprogrammed sounds and patterns.
The Seven Letters From Tibet is an excellent album for relaxation, although barely any usage of sequencers and drum machines have been made to the normal extent.