Spyra - Dunst
Spyra - Dunst

Spyra - Dunst

Product No.:
GR 256
Weight:
0.105 kg per piece
14,75 EUR

incl. 19% tax excl. Shipping costs

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Spyra - Staub

Artist: Der Spyra
P: 2014

“Over the last 3 years I ‘ve been hanging around a lot in the US, England, Poland, Ukraine and at home in Germany, with a lot of time on my hands. I got to thinking about electronic music and its genesis, asking myself where it all started and where it’s at now.  After making 15 studio albums in 20 years, I knew that if I was going to record another one, I would simply have to make a change. Somewhere, at some time, I started experimenting with an old JUNO 6 and fell in love with sequences all over again. Apparently all ordered and logical, but then, the more I played and the deeper I listened, the more chaotic and unpredictable their sound became.  Late in 2013 I started to record my sessions. Always in the middle of the night while the city was falling asleep. Changing Cities Berlin, Warsaw, Uzhgorod, Cologne, filled my head with childlike inspiration. At last, I was back, dreamily, in my element.”
SPYRA

 

15,90 EUR
Spyra - No Beats for one Hour (OB41H)

Artist: Der Spyra
P: 2010
LTD 333

With the release of No Beats for 1 Hour (59'58") Spyra establishes himself as one of the most versatile musicians on the Electronic Music scene. Already highly regarded among the sequencer Spacemusic crowd by way of his SeQuest and Future of the Past CDs he has demonstrated an equal command of the IDM vocabulary through a series of solo and collaborative releases for the Fax label. With his album Octane 91 Spyra shows that he rules the synth-rock domain as well. So on No Beats for 1 Hour his public may be very impressed as Spyra delves into even lower levels of energy than those found on his album of cosmic music Meditationen. No Beats for 1 Hour lives up to its title as there are no overt rhythms or beats present throughout its duration. This means that Spyra boldly relies on other more abstract concepts to further his musical ideas. Occasionally presenting pieces aligned with the avant-garde and experimental, this work seems to feel its way out into various quadrants of the cosmos rather than just creating and then filling up a static space. Spyra succeeds in creating a sustained atmosphere, but in a true dream-like manner - as the mood is constantly changing shade. No Beats for 1 Hour features many of Spyra's signature stylings such as lush synthesized strings, resonant bowed metal and dramatic harmonic shifts. But with its distant voices, ticking clocks, clarinet solo, strange modulations and unique transitions between movements, No Beats for 1 Hour also seems nearing the surreal - yet in spite of these strange forms and tilted planes it never falls into incoherence. Spyra provides a wealth of dramatic potency and musical color along the arc of this intriguing musical journey. Expanding in all directions yet still possessing a cerebral inwardness the weight of this music will rouse its listeners - enough to become aware of themselves.


Here the last copy!

24,50 EUR
Spyra - Hospital

Artist: Der Spyra
P: 2021

SOUND INSTALLATION at the HOSPITAL CHAPEL in TREYSA
This is a room-filling, site specific sound installation with a compositional structure and external design which work together to suggest the original historical function of the building. The music is divided into three thematic sections, which refer to the borderline psychological experiences associated with the chapel’s past.
The music is played from a pre-recorded CD and is heard through loudspeakers placed in the corners of the room. The presence of several hospital beds underlines the compositional aspiration of the piece. Their apparently superficial symbolism is conscious and is substantially deepened by the musical experience. It is the intention of the artist that the visual elements of the installation combine with the acoustic accompaniment to lead the visitor to new forms of perception and the redefinition of the merely superficially known environment. The visitor thus has the chance to consciously become one with the historical implications of the space.
The visitor is expected to overcome the common topophobia of sacred and ecclesiastical places. In this respect, music and spatial design are a medium for the historical transformation of the space and an allegory for the original function of the hospital. It is hoped that, for the audience, the sensory perception of the healing spirituality and the historical authority of the place will combine and prevail.

14,90 EUR