Equipped with synthesizers and the wildest equipment, "Zero Gravity" rather serves the social conditioning on the subject of "alien" with as versatile instrumentation as possible, instead of creating a very own universe. Diverse Wupp-Wupp sounds and otherwise trimmed samples seem familiar to anyone who has seen episodes of Twilight Zone or X-Files here and there. This kind of thing can quickly seem cheesy, but the sound-tinker works against it with almost inexhaustible experimentalism. It seems that everything has found room on "Zero Gravity", which somehow creates interesting sounds. That makes the matter shine colorfully and invites to the lively guesswork, which sound was created as or what electronic origin and what was improvised with the micro. However, before a shallow soundcheck comes out of it, Land throws in his sparkling, booming and buzzing Soundscape sessions again and again song structures that brings the kingdom of ingredients in a coherent order. The drum kit is first used on "Time Goes Bye", but only "Lil 'Moon Farter" adds something like a motif to the rhythm. Nevertheless, the story always likes to dodge in ambient landscapes, making machines hum, talking robot voices and buzzing equipment. In addition, the beats change permanently, from jungle to industrial to pop everything is there.
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