If there is one thing that is particularly inherent in the album, then it is floating and swelling and in between surprises. Like the black monolith in 2001, it offers rough edges and beautifully shiny and yet unfathomable deep surfaces. As is often the case with more complex music, it is also worthwhile to let time stand still here to immerse yourself in this strange world after the rupture.
The blurb first invites you to read, the album contains several fragments of a vision of the future, a narrative of a very near future (September 2023) that sets the framework for the musical experience, the setting. The world and being after the rupture. It leads into another world, almost like in the novel "Пикник на обочине" ("Picnic by the wayside") by the Strugazki brothers or in Tarkowski's film homage "Stalker". Here a new center from many others, a new deity, the "water wall" forms a remnant of the rupture, a huge wave that resembles a prismatic, million-colored glass surface, immobile, colossal, while light falls through the enclosed plankton. The graphic and visual design of the album generally supports the story, the frontcover with its particle traces exuding a magical beauty of science.
