Jiannis - Nightsessions

Artist: Kubusschnitt
P: 2010
After 9 years, here it is. The same style, new combinations. This time with Gert Emmens as additional musician. Fast sequences with Moog-sololine melodies. The combination with Gert Emmens really gets Kubusschnitt into a new dimension and class of Berlin-school style.

Artist: Kubusschnitt
P: 2001
We begin with a chaotic collage of sounds and effects out of which emerges an ominous drone and slow pulses. In complete contrast we then get a plucked string type lead line to which is added an absolutely fantastic melodic sequence - one of the best if not the best Kubusschnitt have come up with so far. Not to be outdone in the lead line department in enters a real cracker - again one of their very best. This is such a fantastic track - so full of excitement it just makes you feel like punching the air in pure pleasure. What's more it just gets better, faster and more intense as we progress into the second part with yet more fantastic lead lines. If you want sequencer mayhem with strong melodies you will have it by the avalanche full here. I really can't stress too much just how good this is. We float into the next section on the back of dark atmospherics but in no time at all another sequence emerges - again fast and furious. It is accompanied by a second and we enter Klaus Schulze territory. Nearer the end a subtle electric guitar lead line starts up adding colour to the pulsating brew underneath rather than dominating. Its all change as we move into part four which is basically a short dark cosmic atmospheric piece, a sonar blip being particularly effective. Initially part five takes us out to even deeper space with electronic effects and wooshes of sound making one think of mysterious other worldly phenomena. Out of all this come gorgeous melodic pads. It's as if we are entering a spellbindingly beautiful and yet awesome region of the cosmos. Just close your eyes and let the music take you where it will. For the second half of this part we are brought back to reality with a bump as two more sequences come to life and we now start to move at great speed again. Some lovely floating space guitar plays with the sequences and synth lead. This is both delicate and powerful music, sounds being combined expertly complimenting the sea of pulsations on which they float. The electric guitar does get a little more strident just before we enter the sixth part but not overly so. This section is really a gentle introduction to the even more cosmic part seven. The sound of solar flares fly over some deep pads. In the third minute a rhythm / sequencer combination slowly make their way through a cloud of stellar gasses becoming more strident all the time but never destroying the delicate atmos. Again its all rather Schulzian. To start off with Part eight is another cosmic extravaganza with some lovely floating guitar work. The pulse starts to quicken however as an absolutely brilliant sequence enters around the three minute mark. The guitar disappears and is replaced by synth leads. Things become very 'Sorceror'ish around the eleven minute mark. The sequence mutates just enough to hold the interest, the atmospherics and use of space around it being simply masterful. The sequences are again fantastic on the final part. As they get into full swing some sympathetic guitar work soars into the ether. The sequences get beefier and beefier as the track progresses - synth leads now replacing the guitar and things work themselves up into quite a frenzy up until the end - but is it? Keep the CD running for a little while and you get atmospheric noises and all sorts of other effects then a really nice mid 70's floating melodic passage and that really is the end - honest! Kubusschnitt go from strength to strength proving here that they are one of the very best retro bands around today.

Artists: Danger in Dream
P: 2019
Iconic is Danger in Dream´s new album. Like the legendary predecessor Entrance, this album is produced in the style of Berlin School, expanded with progressive elements. Iconic offers everything that delights us fans of electronic music: a lot of those great PPG sounds, driving sequences, analog moog basses, catchy solos, etc.
Danger in Dream use only hardware synthesizers, which are recorded in numerous live sessions in the studio. Accompanied by sequencers and arpeggiators, the artists record only the mixed stereo signal. The music gets it´s sound in a professional studio by the best sound engineers. The focus on the magic of the moment and the open approach give Iconic that distinctive organic flavour. Iconic is a sensational album. If you like TD's Exit, Logos or Hyperborea, then you will surely love Iconic.