Rendez-vous has it all: Swirling instrumental backdrops like those found in the early Jarre albums, a few bouncy melodies like in the later ones, and most importantly COHESION between the two which many of his releases don't have. Opening with a dramatic piece that rams an image of space vistas into your head, the tone is epic and relaxed. Before you get yourself too lazy though, Second Rendez-vous shoots you right between the eyes with its dramatic three-part ten minute score. Punctuated in the middle by Jarre's laser harp dancing, it finishes by reaching a climax and then filtering away into the night.Third Rendez-vous shows off the laser harp as a wonderful solo instrument. Why more artists don't use this thing is anyone's guess! Fourth-Rendezvous is quite frankly the piece that got me infected with Jarreitus. Although better when performed live complete with light show and fireworks, it's still a fine toe-tapping piece to listen to in any guise (yes, even Rendez-vous '98...), although as many have said, it feels somewhat out of place sandwiched between Third Rendez-vous and Fifth Rendez-vous. Fifth Rendez-vous is a return to a more 'calmer' piece where if you listen carefully, you'll hear fragments of previous tracks. Of course, Final Rendez-vous is a triumph. Both saddening but at the same time full of the idea of space, the album bows out on a high. Easily one of Jarre's greatest works it's well worth having. The continued inclusion of both Second Rendez-vous and Fourth-Rendezvous in Jean Michel's live concerts are testament to the album's greatness.
