Six tracks: six times ten minutes. This is the result of “The Infinity Room”. This fast growing power in electronic music switched from a Berlin School-orientated style with the band Dweller At The Threshold and on his early solo works, to an impressive mixture between Berlin School, ambient and lots of own inventions on his albums.
His last album “Silent Conversations” was no less than sensational; on “The Infinity Room” he does it again.
As said, all tracks clock exactly ten minutes. It starts in “Tick Tock” with a softly thrusting piece of music in which at the end slowly the sound of the Big Ben in London is played. Paul’s music clearly shows traces of the well-known names in electronic music but has so much own input that can be stated that he has a certain style of his own. “Forever Endeavour”, for instance starts dark and evolves into a great sequencer track. Again, kind of quiet and slow.
The quietness is also present in another sequencer piece, the excellent “Flesh And Blood”.
After the brilliant ambient piece, with Mellotron flutes, Paul hits the sequencers again cleverly in “MirrororriM”.
This man is capable of something. This music is powerful, professional and very beautiful. And the cover by Pablo Magne is also great again.
