Thanks to Nathan Youngblood and Will Merkle for ambience generation in the last 6 minute section of the album.
Special thanks to: Ron Boots, Chuck Van Zyl, John and Maryellen Rothrock, Rita Wolle, and all those who took a moment to write me with kind words about my music. And, of course my beloved Bonnie.
I am a fan of happy accidents and organic music forms, so I put a little extra effort into letting the music grow on its own with this album.
I knew from early on I wanted this album to be one long journey (78 minutes, here), because those long musical journeys are what intrigued me about spacemusic in the first place.
Though I know this does not make life easy for the DJ (apologies) I tried to let it spend more time in darker and more mysterious places.
I think that kind of looseness of playing and being open to letting the music go where I didn't expect it to is what humanized the sound.
There are some sections where I am using a sequencer in this album, but a large amount of what you hear is being played live on analog synths, even a lot of what sounds like sequencers.
