One short announcement - we get to know, how the artist and his work is called - and there immediately slide the first tangerine-brownish lights onto the stage.
The first part of the suite brings fantastic sequencing in a bit of a Redshift-style, especially as far as attractive semitones and jarring sequencer sounds are concerned. "Mrok" ("Dusk") is based on a hypnotising sequence, intermingling with electronically generated sweeps, washes and murky "breathing" sounds. Here, like in the previous title, all tracks are very attentively arranged, one should also pay attention to the wide stereophonic field of the impression. "La Orkestra" means a certain increase in speed and an introduction of the beats: generally, the atmosphere conjured up here has something in common with both parts of "Xangadix" by Pino and Wildjamin, however, you will still find here more sequencing stuff as typical acid or trance. Voice samples, which could be associated with "Kiew Mission" by Tangerine Dream, make for an interesting background and also for the rhythmization of the piece in a way. It's those voices that bridge "La Orkestra" and the following piece "Ambient 2". "Ambient"-style lurking beneath this title has - what a pleasant surprise - much in common with vinyl Frankfurt ambient of the mid 90s. "Live" consists mainly of hypnotising rhythm patterns, appealing ostinatos in mid-tempo, and further sounds and noises as if coming from a secret abandoned rocket station, hidden deep under the cellar rooms of the castle. Everything here sounds rusty, yesteryear- and future-explorative at the same time.
In "Ambient", the Listener will be served some Berlin patterns once more, but also this time they just sound fascinating and fresh. "Berlin" could be understood as a title suggestion, where the goal of our next musical journey is, and still it is by far not the most "Berlin-like" composition on the whole album: if at all, we will be exploring rather a Spyra-side of Berlin (whereas Spyra himself comes from Kassel) than the corners described by Klaus Schulze or Tangerine Dream.
The final track "Misja na Marsa" ("Mission to Mars") is a pretty long piece, in which there is a place for pumping sequencers as well as for ambient passages and cosmic murkiness.
50 minutes of "Noc na zamku" ("A Night in the Castle") really do make a great impression indeed.
