Totemtag

Artist: Totemtag
P: 2023
 

Artist: Totemtag
P: 2020 / 2022
Mostly Ambient/Space music (in my opinion) and partly "melodic", with some "Berlin School-like" moments. Ideas started to come during my hiking in the wood in my favourite season.

Artist: Totemtag
P: 2020 / 2022
Mostly Ambient/Space music (in my opinion) and partly "melodic", with some "Berlin School-like" moments. Ideas started to come during my hiking in the wood in my favourite season.

Artist: Totemtag
P: 2020 / 2024
 

Artist: Totemtag
P: 2020 / 2024
 

Artist: Totemtag
P: 2021
I do not deny that I am partly nostalgic of the progressive music of the 70s, but above all an unrepentant fanatic of the German Berlin School. But with strong influences of the Chillout style of these days, at times.

Dr. Massimo Teodorani

Artist: Totemtag
P: 2023
This album is entirely dedicated to the future of human space exploration, using advanced propulsion mechanisms such as matter-antimatter annihilation and warpdrive. I am hopeful that something of all of this will become real in the next 50 years. I like to imagine this kind of future, when, hopefully, humanity will become conscious of the fact that we are only a little blue marble in an endless space and that we can speak all together with only one voice, giving up divisions and wars, and exploring the Universe that is surrounding us.
Music is strongly sequencer-based with entirely new kinds of ryhthms, which, for instance, all of a sudden enter unexpectedly after the first 4 minutes in "Gamma-Ray Afterburner". Definitely, it is technological music (but not techno) with often some elements of melody, spatial atmospheres and chillout moments. I tried to personalize the classical Berlin School electronic style, with very strong influence from Tangerine Dream's and Gert Emmens' music (but not Jean Michel Jarre and Vangelis).
Synthetic cover art has been obtained after consulting artificial intelligence.

Artist: Totemtag
P: 2023
This album is entirely dedicated to the future of human space exploration, using advanced propulsion mechanisms such as matter-antimatter annihilation and warpdrive. I am hopeful that something of all of this will become real in the next 50 years. I like to imagine this kind of future, when, hopefully, humanity will become conscious of the fact that we are only a little blue marble in an endless space and that we can speak all together with only one voice, giving up divisions and wars, and exploring the Universe that is surrounding us.
Music is strongly sequencer-based with entirely new kinds of ryhthms, which, for instance, all of a sudden enter unexpectedly after the first 4 minutes in "Gamma-Ray Afterburner". Definitely, it is technological music (but not techno) with often some elements of melody, spatial atmospheres and chillout moments. I tried to personalize the classical Berlin School electronic style, with very strong influence from Tangerine Dream's and Gert Emmens' music (but not Jean Michel Jarre and Vangelis).
Synthetic cover art has been obtained after consulting artificial intelligence.

Artist: Totemtag
P: 2024
The tracks are largely technological (with very elaborate rhythms through sequencing, arpeggio and beats), with some vague concessions to melody and a sense of mystery.

Artist: Totemtag
P: 2020 / 2022
Long suites are all the result of my very recent improvisation sessions. Number one contains an unexpected surprise inside. Most of them are sequenced pieces in the classic Berlin School style, some of which are decisely psychedelic.