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Artist: Kellerkind Berlin P: 2024 This album was created during a depressing period of time for me. Deaths, serious illnesses and after a short upward trend, immediately downwards again. But that’s just how it is and music helps me through it… An album based on the “Berlin School” but not so pure.
Artist: Kellerkind Berlin P: 2017 With "Colorful Thoughts" Christian Gorsky aka Kellerkind Berlin - that's the inside of the digipack - presents his second CD. He has released a whole load of albums since 2013, but "Colorful Thoughts" is probably only the second, which appears as an industrially manufactured CD. Which kind of music can be found here has Gorsky also kindly stated in the same place. "You want to find electronic music, music with electronic support, and only close to the path of Berlin School". Jo, fits. A more airy and leisurely gliding harmonious-melodic electronics can be heard on "Colorful Thoughts", in the spirit of the Berlin School, but much looser and more relaxed, usually with continuous rhythmic and percussive patterns. At least nothing sounds like Keller. Sometimes the sound results rather reminds of the Weserbergland, of repetitive, new! -Like soundscapes, but the music probably fits better all in all to Berlin, as it consistently offers sweeping, cosmic-voluminous tone formations. Colored is "Colorful Thoughts" in fact (also by the tonal additions of guest musician Neuhold, who sometimes also provides for grinding guitar sounds), and a bit lost in thought the music also works. A little too much. So awful much does not happen here, and the numbers are gliding, flowing and moving all a bit cautiously and calmly forward. The somewhat uniform rhythm lines often have something drowsy, and occasionally the stoically rattling canned percussion begins to annoy, e.g. in the concluding "It's not a spacetrack", when in the hitherto beautiful and contemplative music gliding in after just over 9 minutes 0815 grooves join in.
Artist: Remy P: 1999/ 2010 In the summer of 1999 Remy moves all his equipment to the attis of Ewout's home. Earlier that year there has been made a selection of tracks which have been composed in the previous two years, and which are likely to appear on the final version of Remy's debut release Exhibition of Dreams. The basis of the tracks were recorded on Remy'sbrave old Atari computer, and because the original recordings have been done with minidisc, without the possibility to dub everything, all tracks were recorded in just one take, without any editing. In December 1999 the final 2-CD-R version of Exhibition of Dreams was being distributed in a limited number of copies only. Now, ten years after the Exhibition of Dreams release, this album can finally be heard by a lager audience. The original recordings from 1999 have been 24 Bits / 96 KHz digitally remastered entirely. The music is a kind of Klaus Schulze early 90ies style and this CD is completely different to the EOD release by Remy, which has nearly the same name. 10th Anniversary. The original recordings from 1999 have been remastered entirely. Music composed and performed by Remy. The bonus cd-r (tracks recorded between 1997 and1999) is limited to 75 copies.
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