Emmens, Gert

Artist: Various Artists
P: 2011
LTD: 400
As follow-up to the highly successful Analogy series (part 1, 2, and 3), Groove Unlimited is now releasing a new sampler.
This time the approach is very different. The idea is to do an album with Dutch EM artists and let them compose music to a painting they like. The album is called 'Dutch Masters' and you will hear music the artists composed to paintings of Rembrandt, Van Gogh, Mondriaan, Escher, Bosch and many more.
Artists that participated are: Ron Boots, Gert Emmens, Eric van der Heijden, Bas Broekhuis, Remy, Synth.nl, Rene Splinter, Meesha, and René van der Wouden. If you want to hear how these artists translate the image of their favorite painting into music get a hold of this album.

Artist: V/A
P: 1997
This is a collection made by the former Alfa Centauri label.
Most of the tracks are exclusive new ones.

Here the last copy!
 

Artist:
P: 2006
There is always much to do amongst musicians and/or fans of em about analog or digital? Will we use the warmth of analog or the more reliability but less character of digital? This album has become a sort of contest where each artist could use only three genuine analog synthesizers to create a piece of music (although modern recording techniques were permitted).
"Analogy, volume1" contains music by some of the finest em-musicians of today.
The music ranges from traditional sequencer-based berlin school (create, syn, altres, modulator esp), via melodical (remotion, emmens, aerts, tescee), ambient (ellis and roach, 4m33s) to experimental (nerell, roach and oken, storey).
All music was played and recorded with care and love for the music and the instruments that it’s played on. "Analogy, volume1" is a great and eagerly awaited project.

Artist:
P: 2007
This CD from 2007 features 79 minutes of diverse electronic music.
The theme of this anthology is that all the equipment used to create the music be of an analog nature.
You get:
Gert Emmens and James Clent: a tasty blend of deep gurgling and stratospheric airs serving as a foundation for a fanciful melody.
Create: a pensive piece that seasons cybernetic brooding with delicate filigrees.
Stephen Parsick (from ‘Ramp): dark ambience that delves into celestial depths with moody results.
Gert Blokzijl: loops ascend with lighthearted vigor to expand their circumference into realms of bubbling zest.
Russell Storey: a brief excursion into cosmic territory.
Synth.nl: a windswept journey into contemplation that slides into a peppier selection of bouncy chords and languid bass sweeps.
Francois-pol Cornec: electronic bubbles punctuate a bouncy melody drenched in rich tones that erupts with shrill dynamics.
Erwin Hofstede: atmospheric textures sway across a sparse panorama.
James J. Clent: a peppy piece with resounding clatter and serpentine riffs sliding through a vivacious mix.
Another track by Russell Storey: that expands on the previous cosmic journey with subtle determination.
Terje Winther: an energetic track that increases the heartbeat with lively chords racing to expose further surprises.
Studio35d: a chugging melody struggles to escape the clutches of a pensive mood.
Schonwalder’s Filterkaffe (being Mario Schonwalder and Frank Rothe): locomotive chords flow through a series of dramatic augmentations en route to an emphatic crescendo.
Eric G: urgency drives this frenetic tune.
Rene van der Wouden: a celebratory track with a bouncy central theme seasoned by gurgling embellishments.
Mono-Poly: a brooding atonal piece of grinding gears and muttering radio signals.
Ron Boots: a slowburn escalation heading faithfully for emphatic altitudes with a poignant finale.
On one hand, you get a worthwhile selection of exclusive tracks by notable musicians. On the other hand, you get glimpses at the works of a variety of promising newcomers.
A well-rounded and rewarding collection

Artist: Various Artists
P: 2006
A double album of mainly Berlin School tracks. With some different and interesting tracks too.