Artists: Airsculpture & Free System Projekt P: 2001 Recorded live at Okefenokee Swamp, Georgia USA from April 20 till 24, 2001. The musicians are: Marcel Engels (Free System Projekt) John Christian and Peter Ruczynski (Air Sculpture) Dave Brewer and Bill Fox. All tracks composed by Brewer, Christan, Engels, Fox & Ruczynski except tracks 2 and 4 by Brewer, Engels & Fox.
Artists: Airsculpture P: 2008 Burn is a recording of the Hampshire Jam 2 concert, which has been demanded as a release pretty much since the last notes faded. Burn is massively powerful, slowly building from a deep dark ambience up to a huge sequencer-driven frenzy. Sound sources ranging from real analogue modular synths and mellotron to up to the minute digital instruments. These are used to craft a soundscape that blends classic sequences with driving rhythms underpinning AirSculpture's distinctive melodic flourishes.
Artists: Airsculpture P: 2001 Live sequencing at E-Live Festival and Jodrell Bank Planetarium England. The sequences blend into each other on a perfact base and it is beautiful to listen to it and enjoy. Here the last copies of the factory made CDR version of the first run.
Artists: Airsculpture P: 2005 AirSculpture, the synth trio from the UK, made their east-coast concert debut in Philadelphia at The Gatherings Concert Series on 17 April 2004. Recordings of this concert, and that of their Star's End live radio concert later that night, were fashioned into the double CD TranceAtlantic and released in Autumn of 2005. Made up of Adrian Beasley, John Christian and Peter Ruczynski, AirSculpture has been using concert spaces to facilitate electronic experimentation since their first live event in September of 1995. Over the years they have found that the atmosphere of the venue, the attention of the audience and several other immeasurable factors, have a significant affect on the interaction between players and acts as a fuel for their performances. The music on TranceAtlantic is structured somewhat differently than on previous cds.
Artists: John Christian P: 2009 Susbarbatus was released on 31October 2009 at Hampshire Jam 8 where John was performing as part of AirSculpture. Susbarbatus is John's first solo album, or second if you count the home-made CDR "Bohunt Sabotage". The original intention was to follow up Bohunt quickly with an album based around cleaned up versions of that material. This didn't quite go to plan! Three years later, half the tracks on Susbarbatus are related to this material but in significantly polished form. The remainder is brand new music. Stylistically the album inevitably has some similarity to John's work with AirSculpture. The backbone of the album is a set of sequencer driven tracks, mixing moody atmospherics with expressive melodic lines. It is much more structured, though, with more in the way of well defined melodies. It should appeal to the established AirSculpture fans and maybe to others who find the AS style too free form. Two tracks diverge from this pattern: "Brane Storm" is deep-space ambient, and "Antiquark" is a gentle sequencer track that perhaps invokes Steve Reich rather than the Berlin school.
Artist: Various Artists P: 2005 This is the first Set of all Awakenings collections. Each collection contains rare unreleased material of the listed artists.
Artists: Various Artists P: 2003 Project Inter.com is effectively Keller & Schonwalder and friends. They start this wonderful double CD set with 'Come and Taste the Band'. Fizzing drones travel through the ether as subtle percussion and faint guitar give a rather moody atmosphere. It's only in the last third that any rhythmic content is added but even then it is subdued so as not to disturb the lovely serene feel. Tom van Draft is really Thomas Fanger (from Fanger & Schonwalder, Mind Flux etc). His track 'Blue Halo' starts with a nice melodic sequence augmented by gentle electric piano touches. A rhythm enters in the third minute developing a nice relaxed groove. Arcanum & Otarion team up for 'Homo Novus'. Various sequences and loops emerge through rather orchestral sounding pads as we start a slow but very effective build up which hits the spot perfectly. Very subtle rhythm and percussion are added around which a beautiful melody, rather low in the mix, weaves its spell. Fanger & Schonwalder are responsible for the hugely popular 'Analog Overdose' series. Here we have a new track called 'Abgetaucht'. If you liked Volumes 1 and 3 of that series you should also go for this. A sequence can be heard which starts low in the mix but rapidly rises to the surface and is joined by high hat percussion. More pulsations are added in the form of a slow bass sequence / loop. The sequences seep into the consciousness wonderfully taking over the mind. I am sure a lovely little melody had already been there a couple of minutes before I noticed it as it fitted in so perfectly with everything else that was going on. More lovely 70s sounding lead lines come and go- boy do they hit the spot! Virtual guitar can momentarily be heard in the twelfth minute. It adds that little extra excitement without dominating. What a wonderful track- mesmerizing but never boring. The first disc concludes with 'Salzbad' by Electric Orange. Initially the main feature is a fine splashing sequence but as the track progresses it reminded me of some early Sky label recordings by the likes of Tyndall or even Adelbert Von Deyen. It is probably the second disc which will excite many however, even before listening to the music, as it contains tracks (all at fifteen minutes or over) by Spyra (with Chris Lang), Rainbow Serpent and AirSculpture. This is the first new material from the last two of these acts in ages. 'Nenikekamen' by Spyra & Lang starts us off. Straight away it's Klaus Schulze who comes to mind. We float on tranquil soft pads then an excellent slow sequence emerges backed by a cello / flute combination (I think!) which weaves a lovely haunting melody. The sequence mutates this way and that increasing in speed considerably in the fifth minute. Subtle rhythm in added low in the mix accompanied by yet another lovely lead. Fanger & Kersten provide one of the most contemporary offerings on the album with 'Waterproof Guitar'. Infectious rhythmic loops and sampled (or vocoded) utterances of the title develop into quite a relaxed but also extremely 'cool' groove. 'Deep Dive' by Rainbow Serpent makes use of rather metallic sounding eerie wind blown effects over which a shuffling rhythm keeps being heard then disappears like tumbleweed momentarily being seen before being blown into the distance. Just before the five-minute mark some very faint NASA type samples can just be heard. This is extremely atmospheric stuff but also rather vivid picture music. A slow flutey melodic lead floats over the top heightening the haunting qualities still further. At about the half way mark a slow rhythm is added giving a little structure but never intruding too much or destroying the delicate atmosphere so painstakingly created. By it's title 'Not Raving, Floating' by AirSculpture might also be expected to be something of an ambient affair but this is not the case. Sure we get a drifting, though sonically powerful, introduction but it isn't long before a typical Sculpture lead can be heard and then a sequence with their signature all over it. It becomes louder and louder, more leads are added then another cracking sequence falls into formation- then another! Simply awesome. Welcome back AirSculpture! (Now when the hell are you going to get your 2003 National Space Centre gig ready for release?!). We finish with 'Liquid Dawn' by Keller & Schonwalder. For the most part this is an ethereal melancholy masterpiece darker than anything on 'Noir'. A sequence is added in the ninth minute which does drive things forward a little but thankfully the mood stays wonderfully morose. Beware the false ending by the way, just when you think it is all over there is a bonus five minutes of music! Lovely stuff too. Sorry to spoil the surprise guys.
Artists: Wolfram Spyra, Free System Projekt, Airsculpture,Star Sounds Orchestra, Paul Lawler, Dave Brewer, Bill Fox P: 2004 All the Artists played live within the Mojave desert in California. Most of the tracks use sequenzer and Berlin school style.
Artist: Airsculpture & Star Sounds Orchestra P: 2007 LTD 300 Live performances of the 2002 Gathering.